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After Lines
Fairy-tales, myths and fables spark the imagination. They give us hints of insight, windows and snapshots of greater stories. On the surface, however, these tales are simply entertaining. But what if that's not enough? After Lines takes the classically told fairy-tale, myth, legend, or fable, and brings its hidden complexity to the surface - Stephanie Buosi (Editor-in-chief Erebus Press)
Mother of the Gods
Worshiped throughout the ancient Mediterranean world, the "Mother of the Gods" was known by a variety of names. Among peoples of Asia Minor, where her cult first began, she often shared the names of local mountains. The Greeks commonly called her Cybele, the name given to her by the Phrygians of Asia Minor, and identified her with their own mother goddesses Rhea, Gaia, and Demeter. The Romans adopted her worship at the end of the Second Punic War and called her Mater Magna, Great Mother. Her cult became one of the three most important mystery cults in the Roman Empire, along with those of Mithras and Isis. And as Christianity took hold in the Roman world, ritual elements of her cult were inc...
Ready or Not in Dog Town
What if a dog you never met, a dog you never knew was the only dog for you? Isla McInnis flies across the country to Dorset Hills on a hunch that a sweet little rescue dog named Rio will change her life forever. But when she reaches the scenic town, the dog has already found a home. Bruce Duncan doesn't believe in whims or fate. The expert trainer is looking for reliable, local homes for his rescue dogs. Isla, an investigative reporter from L.A., may be pretty, persuasive and annoyingly persistent, but she doesn't tick any of the right boxes for a good owner in his eyes. When a quirky band of rescue rebels takes Isla under its wing and into the hills with Bruce to meet some available dogs, s...
Performance and Posthumanism
Recent technological and scientific developments have demonstrated a condition that has already long been upon us. We have entered a posthuman era, an assertion shared by an increasing number of thinkers such as N. Katherine Hayles, Rosi Braidotti, Donna Haraway, Bruno Latour, Richard Grusin, and Bernard Stiegler. The performing arts have reacted to these developments by increasingly opening up their traditionally human domain to non-human others. Both philosophy and performing arts thus question what it means to be human from a posthumanist point of view and how the agency of non-humans be they technology, objects, animals, or other forms of being works on both an ontological and performative level. The contributions in this volume brings together scholars, dramaturgs, and artists, uniting their reflections on the consequences of the posthuman condition for creative practices, spectatorship, and knowledge.
Helena
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