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A reluctant lady sleuth finds she's investigating her own family. 1881, Sussex. With a drowned husband—the second love lost—an overbearing family, no longed-for child, and the responsibility of a huge baroque mansion, it's not surprising Lady Helena Whitcombe is overwhelmed. When attractive, mysterious, French physician Armand Fortier disturbs her first weeks of mourning with his theory of murder, Helena's reluctant and ineffective attempts at investigation are hardly life-changing—until the resulting revival in her long-abandoned herbalist studies bring her into confrontation with her past and her family's. Can Lady Helena survive bereavement the second time around? Can she stand up to her six siblings' assumption of the right to control her new life as a widow? And what role will Fortier—who, as a physician, is a most unsuitable companion for an earl's daughter—play in her investigations? Every family has its secrets. The Scott-De Quincy family has more than most.
Around 1870, Ferdinand von Mueller, the greatest Australian botanist of the nineteenth century, began to advertise in several newspapers across Australia for 'lady' plant collectors. This was at a time when women typically had little recourse to science, or contact with men outside their circle of friends, making Mueller's network of ladies quite extraordinary. Collecting Ladies profiles 14 of Mueller's coterie of women collectors. Included are Fanny Charsley, Louisa Atkinson, Annie Walker and Ellis Rowan for whom Mueller made time to assist in pursuit of their own passions. He identified the plants they painted and provided letters of introduction to publishers and scientists. Together, these ladies produced some of the most beautiful books and botanical art to come out of Australia in the nineteenth century, covering all the Australian colonies.
The Art of Science presents the best of Museum Victoria’s remarkable collection of natural history artworks, currently on a national touring exhibition of the same name. Based on the museum’s collection of rare books, field sketches, art works and taxonomic studies, the book features some of the most exquisite, rare and important illustrations of flora and fauna ever created. In addition to the artworks, which tell a story of exploration, discovery, painstaking research and documentation, the book also traces the lives, curiosities and observations of the artists and explorers, whom throughout history often worked against the odds to gather and record. The Art of Science is a unique collection of exquisite images that will enrich our understanding of the history of art and science, the natural world, and the miracle of human perception.
As far as the Fairy Queen was concerned, the Fairy-who-wouldn’t-fly was lazy and so she banished her to the Woodn’t, the place where she had sent all the other creatures who wouldn’t do as they should. There, the Fairy-who-wouldn’t-fly met many friends—the Kookaburra-who-wouldn’t laugh, the Bee-who-wouldn’t-live-in-a-hive, the Frog-who-wouldn’t-hop. Find out how they worked together to return to Fairyland, and how they convinced the Fairy Queen that they had good ideas of their own about how to live their lives. The magic tale of The Fairy Who Wouldn’t Fly, adapted by Bronwyn Davies for today’s children, was originally written and illustrated by Pixie O’Harris in 1945.
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Curious Minds: The Discoveries of Australian Naturalists looks at the long line of naturalists who have traversed Australia in search of new plants and animals. Identifying and classifying the unfamiliar plants and animals was their biggest challenge - the early ones were frequently wrong but later naturalists were able to build on and learn from previous mistakes. In time, a new breed of homegrown naturalists emerged. This succession of curious minds would help to foster pride in a developing nation, as well an interest in the preservation of natural history. Curious Minds brings to life the stories of the naturalists and settlers who made the unfamiliar familiar and who contributed to developments in natural science. Among the names are Joseph Banks, Charles Darwin, Amalie Dietrich, Ludwig Leichhardt, Ferdinand von Mueller, Ellis Rowan, John Lewin and John and Elizabeth Gould. Beautifully illustrated with images from the collection of the National Library of Australia, the publication is a loving tribute to the courageous and inquisitive men and women who led by example.
1868/1869-1869/1870, 1875/1876 includes the Report of the Board of Trustees of the Soldier's Orphans Home.
This volume traces the 300-year history of bird art in Australia, from the crudely illustrated records of the earliest European voyages of discovery to the diversity of artwork available at the start of the 21st century. It is a history inseparable from the development of Australian ornithology. Against a background of establishment of the country itself, naval draftsmen, convicts, officers, settlers, naturalists, artists and scientists alike contributed both to the art and to science.