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American Impressionism and Realism
An examination of the continuities and differences between American Impressionism and Realism. Copyright © Libri GmbH. All rights reserved.
Henry Hobson Richardson and the Small Public Library in America
An examination of Richardson's small public libraries that places them in the design, cultural, political, and economic contexts of their times.
Artists, Advertising, and the Borders of Art
Leyendecker and Georgia O'Keeffe, the Metropolitan Museum of Art and Pepsi-Cola, the avant garde and the Famous Artists Schools, Inc.
The Photographic Legacy of Frances Benjamin Johnston
"One of the first women to work in an emerging field dominated by men, Frances Benjamin Johnston (1864-1952) achieved acclaim in the late nineteenth century as an accomplished photographer. Her career spanned nearly seventy years, during which she became respected for her portraiture, artistic studies, photojournalism, and garden and architectural photography. She was instrumental in defining the medium and inspiring women to train in and appreciate photography. Though the socially well-connected Johnston was popular among prestigious celebrities of the day - she worked as the official White House photographer for five administrations - it is her monumental, nine-state survey of southern American architecture that stands as her most significant contribution to the history and development of photography both as art and as documentary. Drawing upon Johnston's original papers and photographs from the Library of Congress, Maria Ausherman's examination of this extraordinary photographer's career shows both the early origins of her style and vision and her attempts to change society through her art"--
Rivals and Conspirators
Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pabl...
Modern Architectural Theory
Modern Architectural Theory is the first book to provide a comprehensive survey of architectural theory, primarily in Europe and the United States, during three centuries of development. In this synthetic overview, Harry Mallgrave examines architectural discourse within its social and political context. He explores the philosophical and conceptual evolution of its ideas, discusses the relation of theory to the practice of building, and, most importantly, considers the words of the architects themselves, as they contentiously shaped Western architecture. He also examines the compelling currents of French rationalist and British empiricist thought, radical reformation of the theory during the Enlightenment, the intellectual ambitions and historicist debates of the nineteenth century, and the distinctive varieties of modern theory in the twentieth century up to the profound social upheaval of the 1960s. Modern Architectural Theory challenges many assumptions about architectural modernism and uncovers many new dimensions of the debates about modernism.
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Brahmin Prophet
The Reverend Phillips Brooks was undeniably one of the most popular preachers of Gilded Age America and the author of the beloved Christmas carol, 'O Little Town of Bethlehem.' However, very few critical studies of his life and work exist. In this insightful book, Gillis J. Harp places Brooks's religious thought in its proper historical, cultural, and ecclesiastical contexts while clarifying the sources of Brooks's inspiration. The result is a fuller, richer portrait of this luminous figure and of this transitional era in American protestantism.
Gothic Pride
Newark’s Cathedral Basilica of the Sacred Heart is one of the United States’ greatest cathedrals and most exceptional Gothic Revival buildings. Rising from Newark’s highest ground and visible for miles, it spectacularly evokes its historic models. Gothic Pride sets Sacred Heart in the context of American cathedral building and, blending diverse fields, accounts for the complex circumstances that produced it. Calling upon a wealth of primary sources, Brian Regan describes in a compelling narrative the cathedral’s almost century-long history. He traces the project to its origins in the late 1850s and the great expectations held by the project’s prime movers—all passionate about Got...
The Work of Augustus Saint-Gaudens
Updated catalogue raisonné of one of the most important figures in American sculpture.
