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Vinaver Plays: 1
The first collection of plays by one of France's most prominent playwrights Overboard: "Combines Shakespearian tragedy, Aristophanic farce and a Chekhovian drama of lives consumed and memories that fade." Le Progrès, Situation Vacant: "The play builds to a climax which powerfully captures a mind under siege, bombarded by a cacophony of voices and tormented by guilt." (Independent); Dissident, Goes Without Saying and Nina, That's Something Else: "These two plays bring to a summit the art of suggestions...Two fables in which prosaic everyday life is captured, at times fraught with pathos, often compassionate." (L'Humanité ); A Smile on the End of the Line: "A six-part invention which interweaves half a dozen plot lines to bring life and speed into the manufacturing sector." (Daily Telegraph)
And There Was Light
When Jacques Lusseyran was an eight-year-old Parisian schoolboy, he was blinded in an accident. He finished his schooling determined to participate in the world around him. In 1941, when he was seventeen, that world was Nazi-occupied France. Lusseyran formed a resistance group with fifty-two boys and used his heightened senses to recruit the best. Eventually, Lusseyran was arrested and sent to the Buchenwald concentration camp in a transport of two thousand resistance fighters. He was one of only thirty from the transport to survive. His gripping story is one of the most powerful and insightful descriptions of living and thriving with blindness, or indeed any challenge, ever published.
IN PURSUIT OF A PRINCESS
Faced with his honest eyes and gentle manner, she can’t keep up her act… Princess Ariane of St. Michel has learned that her beloved homeland is being targeted by the neighboring kingdom of Rhineland. Etienne, the crown prince of Rhineland, is interested in her hand in marriage. Seeing an opportunity to seek out information, she accepts his invitation to visit his country. Ariane plays the part of an airheaded princess, but in the face of Etienne’s honest eyes and kindness, she finds it difficult to keep up her act…
The Price of Illusion
From Joan Juliet Buck, former editor-in-chief of Paris Vogue comes her dazzling, compulsively readable memoir: a fabulous account of four decades spent in the creative heart of London, New York, Los Angeles, and Paris, chronicling her quest to discover the difference between glitter and gold, illusion and reality, and what looks like happiness from the thing itself. Born into a world of make-believe as the daughter of a larger-than-life film producer, Joan Juliet Buck’s childhood was a whirlwind of famous faces, ever-changing home addresses, and a fascination with the shiny surfaces of things. When Joan became the first and only American woman ever to fill Paris Vogue's coveted position of...
The Wandering Princess
Helene was a strong-willed princess, raised in France but closely connected with the court of Queen Victoria. After the premature end to a romance with Victoria's grandson, she married into the royal family of Italy. However, Helene began extended adventuresome trips into Africa where she became a big-game hunter, explorer and travel writer, escaping from an unhappy marriage and the boredom of court life. Her travels took her around the world, but her sense of royal duty brought her back to nurse aboard a hospital ship in Libyan waters, then to an important role as head of the Italian Red Cross nurses during the First World War while her husband headed Italy's Third Army, and her two sons served in the artillery and the navy. Afterwards, her strong Italian nationalism made her an ally to Gabriele d'Annunzio and Benito Mussolini, but the disastrous Second World War saw her grandchildren interned in Austria and her older son die as a British prisoner-of-war while she continued her charitable work in Naples. When the country voted to become a republic in 1946, Helene was the only member of the royal family allowed to remain in Italy with her second 'secret' husband.
Who Are You and Why Are You Here?
Every international development project looks good on paper until someone asks, “Who are you and why are you here?” In this case, it’s a man from northern Burkina Faso. His question reveals everything wrong with international development work today. Jacques Claessens questions the real effects of development programs and agencies, NGOs, and multinational corporations on the economy and welfare of the global south—from a Kafkaesque well-drilling project in Udathen to the Chernobyl-like environmental devastation wrought by the Canadian-owned Essakane mine. Through tales of uneasy encounters between nomadic Tuaregs and Western engineers, well-meaning NGO staff and their incredibly self-serving bosses, UN bureaucrats, a greedy Canadian mining company, and Burkinabe villagers–all pursuing ostensibly noble goals, all barely listening to each other–we begin to understand the realities of international development.
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The Twentieth Century
Humorous, illustrated novel by the “father of science fiction illustration”.
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