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Considers Gutenberg's possible role in the development of copper engraving.
Publisher Description
Almost half a million books printed in the fifteenth century survive in collections worldwide. In Incunabula in Transit Lotte Hellinga explores how and where they were first disseminated. Propelled by the novel need to market hundreds of books, early printers formed networks with colleagues, engaged agents and traded Latin books over long distances. They adapted presentation to suit the taste of distinct readerships, local and remote. Publishing in vernacular languages required typographical innovations, as the chapter on William Caxton’s Flanders enterprise demonstrates. Eighteenth-century collectors dislodged books from institutions where they had rested since the sales drives of early printers. Erudite and entertaining, Hellinga’s evidence-based approach, linked to historical context, deepens understanding of the trade in early printed books.
The political elite of Nazi Germany perceived itself as a cultural elite as well. In Art as Politics in the Third Reich, Jonathan Petropoulos explores the elite's cultural aspirations by examining both the formulation of a national aesthetic policy
The idea of the Cold War as a propaganda contest as opposed to a military conflict is being increasingly accepted. This has led to a re-evaluation of the relationship between economic policies, political agendas and cultural activities in Western Europe post 1945. This book provides an important cross-section of case studies that highlight the connections between overt/covert activities and cultural/political agendas during the early Cold War. It therefore provides a valuable bridge between diplomatic and intelligence research and represents an important contribution towards our understanding of the significance and consequences of this linkage for the shaping of post-war democratic societies.