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The Ocean of the Soul is one of the great works of the German Orientalist Hellmut Ritter (1892-1971). It presents a comprehensive analysis of the writings of the mystical Persian poet Far?d al-D?n ‘At?t??r. The book was first published in 1955.
Leading Islamic scholars present eleven essays on the major themes of: The Greek Philosophical Tradition and Islamic Theology, Classical Islamic Theology and the Early Shi'a Movement, The Development of Philosophical and Mystical Theology, and Contemporary Research in Philosophical Theology and Science. Parviz Morewedge, in the introduction, brings into focus the relationship of the studies, many of which relate to philosophical and theological works available only in Arabic. Contributors: Abdurahman Badawi, Herbert Davidson, Richard M. Frank, Louis Gardet, George F. Hourani, Nicholas Heer, Wilferd Madelung, Ibrahim Madkour, F. E. Peters, Wilfred Cantwell Smith, and Parviz Morewedge.
The scholarship of Ignaz Goldziher (1850–1921), one of the founders of Islamic studies in Europe, has not ceased to be in the focus of interest since his death. This volume addresses aspects of Goldziher’s intellectual trajectory together with the history of Islamic and Jewish studies as reflected in the letters exchanged between Goldziher and his peers from various countries that are preserved in the Library of the Hungarian Academy of Sciences and elsewhere. The thirteen contributions deal with hitherto unexplored aspects of the correspondence addressing issues that are crucial to our understanding of the formative period of these disciplines. Contributors: Camilla Adang, Hans-Jürgen Becker, Kinga Dévényi, Sebastian Günther, Máté Hidvégi Livnat Holtzman, Amit Levy, Miriam Ovadia, Dóra Pataricza, Christoph Rauch, Valentina Sagaria Rossi, Sabine Schmidtke, Jan Thiele, Samuel Thrope, Tamás Turán, Maxim Yosefi, Dora Zsom.
The Ocean of the Soul is one of the great works of the German Orientalist Hellmut Ritter (1892-1971). It presents a comprehensive analysis of the writings of the mystical Persian poet Farīd al-Dīn ‘Aṭṭār who is thought to have died at an advanced age in April 1221 when the Mongols destroyed his home city of Nīshāpūr in the north-east of Iran. The book, which resulted from decades of investigation of literary and historical sources, was first published in 1955 and has since remained unsurpassed not only as the definitive study of ‘Aṭṭār's world of ideas but as an indispensable guide to understanding pre-modern Islamic literature in general. Quoting at length from ‘Aṭṭ...
The 13th century Sufi poet Farid al-Din Attar is renowned as an author of short lyrics written in the Persian language. Dealing with themes of love, passion and mysticism, this book presents the English versions of Attar's poetry. It also offers an analysis of Attar's poetic language and thought.
For a long time, the study of the life and work of the Jewish thinker ʿIzz al-Dawla Ibn Kammūna (d. 683/1284) remained limited to a very small number of texts. Interest in Ibn Kammūna in the Western Christian world dates back to the 17th century, when Barthélemy d’Herbelot (1624-1695) included information on two of Ibn Kammūna's works – his examination of the three faiths (Tanqīḥ al-abḥāth li-l-milal al-thalāt), i.e. Judaism, Christianity and Islam, and his commentary on Avicenna’s al-Ishārāt wa l-tanbīhāt – in his Bibliothèque orientale. Subsequent generations of Western scholars were focused on Ibn Kammūna’s Tanqīḥ al-abḥāth , whereas his fame in the Easte...
The mystical path is the most intoxicating and paradoxical, difficult, and even dangerous journey one can ever take. Fragments of a Love Story is a series of personal writings describing the passionate love, heartache, and confusion that belong to this journey. In particular Llewellyn Vaughan-Lee explores what for him is a central paradox: what belongs to the individual, the "I" who makes the journey, and what belongs to God. Whose journey really is it? He discusses this primary mystical question from his own experiences of 40 years travelling the mystical path within the context of the Sufi tradition. Some of these passages are very personal, heartfelt, full of contradictions and difficulti...
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East West Mimesis follows the plight of German-Jewish humanists who escaped Nazi persecution by seeking exile in a Muslim-dominated society. Kader Konuk asks why philologists like Erich Auerbach found humanism at home in Istanbul at the very moment it was banished from Europe. She challenges the notion of exile as synonymous with intellectual isolation and shows the reciprocal effects of German émigrés on Turkey's humanist reform movement. By making literary critical concepts productive for our understanding of Turkish cultural history, the book provides a new approach to the study of East-West relations. Central to the book is Erich Auerbach's Mimesis: The Representation of Reality in Western Literature, written in Istanbul after he fled Germany in 1936. Konuk draws on some of Auerbach's key concepts—figura as a way of conceptualizing history and mimesis as a means of representing reality—to show how Istanbul shaped Mimesis and to understand Turkey's humanist reform movement as a type of cultural mimesis.