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This is the first book that comprehensively examines Indigenous filmmaking in North America, as it analyzes in detail a variety of representative films by Canadian and US-American Indigenous filmmakers: two films that contextualize the oral tradition, three short films, and four dramatic films. The book explores how members of colonized groups use the medium of film as a means for cultural and political expression and thus enter the dominant colonial film discourse and create an answering discourse. The theoretical framework is developed as an interdisciplinary approach, combining postcolonialism, Indigenous studies, and film studies. As Indigenous people are gradually taking control over th...
A collection of critical essays by European scholars on contemporary Native North American literatures. Devoted to the primary genres of Native literature - fiction, nonfiction, drama, poetry - these essays chart the course of theories of Native literature, and delineate the crosscurrents in the history of Native literature studies.
Im Zuge der Globalisierung erscheinen politische und kulturelle Differenzen in einem neuen Licht. In den Kulturwissenschaften werden die Folgen der Überlagerung und Vermischung seit längerem diskutiert. Der Band stellt erstmalig das neue Konzept der Transdifferenz vor, das solche Zonen der Unbestimmtheit und kulturellen Mehrfachzugehörigkeit mit ihren impliziten Machtstrukturen in den Blick nimmt, ohne jedoch die orientierungsstiftende Kraft von Differenzen zu vernachlässigen. Zudem werden Potenzial und Grenzen von Transdifferenz auf der Basis von repräsentativen Texten ausgewählter kulturtheoretischer Richtungen erörtert: der Interkulturalität (Edward T. Hall, Alexander Thomas), Multikulturalität (Will Kymlicka, Charles Taylor), Transkulturalität (Fer-nando Ortiz, Wolfgang Welsch) und Hybridität (Homi K. Bhabha, Jan Nederveen Pieterse). Die Hg. arbeiten am Graduiertenkolleg "Kulturhermeneutik im Zeichen von Differenz und Transdifferenz" an der Universität Erlangen-Nürnberg.
The book traces individuals' adaptive interventions in the cultural sphere. More specifically, it investigates the purposes of dramatic adapting, which is basically regarded as a political activity. Following the intense micropolitical combat of an author with the precursor Shakespeare, adaptation becomes comprehensible as part of the ceaseless motions of macrocultural change. At each adaptation's centre, an individual subject's identity act encounters external discourses, and these transform each other and destabilise ideologies. Moreover, they lay siege to the cultural powerhouse Shakespeare. The book thus explores adapters' revolt against the loop of eternal repetition, which is created by canonic forces. In order to do so, the author uses an innovative combination of standard theories.
In the wake of addressing multiculturalism, transculturalism, racism, and ethnicity, the issue of xenophobia and xenophilia has been somewhat marginalized. The present collection seeks, from a variety of angles, to investigate the relations between Self and Other in the New Literatures in English. How do we register differences and what does an embrace signify for both Self and Other? The contributors deal with a variety of topics, ranging from theoretical reflections on xenophobia, its exploration in terms of intertextuality and New Zealand/Maori historiography, to analyses of migrant and border narratives, and issues of transitionality, authenticity, and racism in Canada and South Africa. Others negotiate identity and alterity in Nigerian, Malaysian, Australian, Indian, Canadian, and Caribbean texts, or reflect on diaspora and orientalism in Australian–Asian and West Indian contexts.
The present volume brings to North American Native Studies – with its rich tradition and accumulated expertise in the Central European region – the new complexities and challenges of contemporary Native reality. The umbrella theme ‘Indigenous perspectives’ brings together researchers from a great variety of disciplines, focusing on issues such as democracy and human rights, international law, multiculturalism, peace and security, economic and scientific development, sustainability, literature, and arts and culture, as well as religion. The thirty-five topical and thought-provoking articles written in English, French and Spanish offer a solid platform for further critical investigations and a useful tool for classroom discussions in a wide variety of academic fields.
Tracks the genesis and evolution of Twain's reputation as a writer, revealing how and why the writer has been under fire since the advent of his career.
Preliminary Material -- INTRODUCTION -- HISTORY AND THE NOVEL: AN OVERVIEW -- MASTERING THE ART: THE HISTORICAL NOVEL AND LOCAL COLOR -- BETWEEN MAGIC AND MADNESS: A PORTRAIT OF SPAIN AND ITS NEUROSES -- POSTMODERN CRITIQUE AND THE HAND OF THE HISTORIAN -- CHAOS, COMPLEXITY AND INTERPRETATION -- BEYOND REFERENCE: HISTORIOGRAPHIC METAFICTION IMPINGED BY SCIENCE FICTION -- THE NOVEL NEVER ENDS: ON ALTERNATIVE WORLDS, JEWISH CONNECTIONS AND INFINITE REGRESS -- CONCLUDING REMARKS -- NOVELS PUBLISHED BY MILTON LESSER UNDER THE FOLLOWING NAMES OR PSEUDONYMS -- SHORT STORIES -- BIBLIOGRAPHY -- INDEX.