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Blumenfeld
  • Language: en
  • Pages: 156

Blumenfeld

  • Type: Book
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  • Published: 1981
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  • Publisher: Unknown

None

3 X Abstraction: New Methods of Drawing
  • Language: en
  • Pages: 244

3 X Abstraction: New Methods of Drawing

  • Categories: Art

An engaging look at three women artists' pathbreaking explorationof abstraction

Design Elements
  • Language: en
  • Pages: 323

Design Elements

  • Type: Book
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  • Published: 2014
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  • Publisher: Unknown

This is a comprehensive manual outlining the broad areas of expertise that graphic designers must master featuring hundreds of tips and examples demonstrating the fundamental skills that contribute to successful design. It is the most compact and lucid handbook available describing basic design principles.

V01CE
  • Language: en
  • Pages: 437

V01CE

  • Type: Book
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  • Published: 2023-12-05
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  • Publisher: MIT Press

Perspectives on the voice and technology, from discussions of voice mail and podcasts to reflections on dance and sound poetry. Voice has returned to both theoretical and artistic agendas. In the digital era, techniques and technologies of voice have provoked insistent questioning of the distinction between the human voice and the voice of the machine, between genuine and synthetic affect, between the uniqueness of an individual voice and the social and cultural forces that shape it. This volume offers interdisciplinary perspectives on these topics from history, philosophy, cultural theory, film, dance, poetry, media arts, and computer games. Many chapters demonstrate Lewis Mumford's idea of...

Experimental Dance and the Somatics of Language
  • Language: en
  • Pages: 258

Experimental Dance and the Somatics of Language

This book is about dance’s relationship to language. It investigates how dance bodies work with the micromovements elicited by language’s affective forces, and the micropolitics of the thought-sensations that arise when movement and words accompany one another within choreographic contexts. Situating itself where theory meets practice—the zone where ideas arise to be tested, the book draws on embodied research in practices within the lineages of American postmodern dance and Japanese butoh, set in dialog with affect-based philosophies and somatics. Understanding that language is felt, both when uttered and when unspoken, this book speaks to the choreographic thinking that takes place when language is considered a primary element in creating the sensorium.

The History of Experience
  • Language: en
  • Pages: 358

The History of Experience

In a wide arc from the Paleolithic to the present day, this book explores the changing structure of human experience and its impact on the dynamics of cultures, civilizations, and political ideas. The main thesis is a paradigm shift: the structure of human experience is not a universal constant but changes over time. Looking at the entire range of human history, there are a total of nine transformations, beginning with conscious perception and imagination in the Paleolithic and ending, for the time being, in modern times with the discovery of the unconscious. In between, this book explores six more transformations that took place in different regions and at different times, which include a sense of order, self-reflection, the eye of reason, spiritual experience, as well as the experience of creativity and of consciousness. As such, The History of Experience presents both a cross-cultural and comparative theory of experience and cultural dynamics, and an exploration of rich materials from East and West. This book is of great use to upper-level undergraduates, postgraduates, and scholars interested in the relationship between history, human experience, culture, and political order.

Early & contemporary spirit artists,psychic artists and medium painters from 5000 BC to the present day.economy1
  • Language: en
  • Pages: 442

Early & contemporary spirit artists,psychic artists and medium painters from 5000 BC to the present day.economy1

  • Categories: Art
  • Type: Book
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  • Published: 2017-05-19
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  • Publisher: Lulu.com

EARLY & CONTEMPORARY SPIRIT ARTISTS, PSYCHIC ARTISTS AND MEDIUM PAINTERS FROM 5,000 B.C. TO THE PRESENT DAY. ECONOMY EDITION V1, from a set of 2 volumes. Published by Times Square Press, New York. On the cover: Dutch Spirit Artist, Angelique van Bezouwen. History, Study, Analysis. Scientifical, Psychological, Philosophical, Artistical, and Metaphysical Study of Mediumship in Art. Also available in deluxe edition/Museum edition in 2 volumes, printed on glossy and heavy stock paper. This is a world's premiere; the first encyclopedic book on this subject, ever published. Authoritative, comprehensive, documented, fully illustrated, and rich in content, analyses, historical presentation, and comparative studies of all the facets and genres of Spirit Art, Psychic Art, and Mediumistic Art. Including roster of bona fide Spirit/Psychic Artists from around the world. A true treasure. For more information, contact Marla Cohen at newyorkgate@aol.com

Renunciation
  • Language: en
  • Pages: 555

Renunciation

Renunciation as a creative force in the careers of writers, philosophers, and artists is the animating idea behind Ross Posnock’s new book. Taking up acts of abandonment, rejection, and refusal that have long baffled critics, he shows how renunciation has reframed the relationship of artists and intellectuals to society in productive and unpredictable ways. In a work of remarkable synthesis that includes traditions and genres from antiquity to postmodernity, Posnock discovers connections among disparate figures ranging from Lao Tzu to Dave Chappelle and Bob Dylan. The thread running through these acts of renunciation, he argues, is an aesthetic and ethical resistance to the demand that one...

Collage in Twentieth-Century Art, Literature, and Culture
  • Language: en
  • Pages: 259

Collage in Twentieth-Century Art, Literature, and Culture

  • Type: Book
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  • Published: 2016-05-23
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  • Publisher: Routledge

Emphasizing the diversity of twentieth-century collage practices, Rona Cran's book explores the role that it played in the work of Joseph Cornell, William Burroughs, Frank O'Hara, and Bob Dylan. For all four, collage was an important creative catalyst, employed cathartically, aggressively, and experimentally. Collage's catalytic effect, Cran argues, enabled each to overcome a potentially destabilizing crisis in representation. Cornell, convinced that he was an artist and yet hampered by his inability to draw or paint, used collage to gain access to the art world and to show what he was capable of given the right medium. Burroughs' formal problems with linear composition were turned to his ad...