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The Lesser Gods of the Sahara
The eight essays that comprise this collection cover various aspects of social change and contested terrain amongst the Tuareg people Algeria.
Stone Canvas
This book presents proceedings of the conference devoted to rock art and graffiti studies in Egypt and Sudan that took place in Cairo from 10th to 12th November, 2019. The thematic spectrum of the contributions is very wide in terms of both their geographical and their chronological range, encompassing figural and textual sources dating from the Late Palaeolithic through the Predynastic, Dynastic, and Graeco-Roman periods, up to Christian and Islamic times. Many of the papers combine evidence from various archaeological domains and also attempt to better integrate graffiti and rock art materials in search of a common ground for research. Thus, the volume provides a good overview of the current state of investigations in these two fields of study in Egypt and Nubia.
Sahel: Art and Empires on the Shores of the Sahara
This groundbreaking volume examines the extraordinary artistic and cultural traditions of the African region known as the western Sahel, a vast area on the southern edge of the Sahara desert that includes present-day Senegal, Mauritania, Mali, and Niger. This is the first book to present a comprehensive overview of the diverse cultural achievements and traditions of the region, spanning more than 1,300 years from the pre Islamic period through the nineteenth century. It features some of the earliest extant art from sub Saharan Africa as well as such iconic works as sculptures by the Dogon and Bamana peoples of Mali. Essays by leading international scholars discuss the art, architecture, archaeology, literature, philosophy, religion, and history of the Sahel, exploring the unique cultural landscape in which these ancient communities flourished. Richly illustrated and brilliantly argued, Sahel brings to life the enduring forms of expression created by the peoples who lived in this diverse crossroads of the world.
Rock Art of the Qsur and 'Amour Mountains, Algeria
It may be true, as Paul Valery said, that the painter “takes his body with him,” but it is almost certain that artists leave some of their bodies in their art. This book studies the embodied intentionality inscribed in the works of the artists of the Qsur and ‘Amour mountains in Algeria. It retraces the aesthetic gestures of these artists, revealing sounds they heard, tactile and kinesthetic interactions they experienced, and emotions they felt as they recorded the distress and pain of some animals. Combining naturalist style, skilful composition, and spatial features, these artists often gave their art the form of installation, where induced motion and parallactic flow create immersive experiences. Using continuous line technique, they created monumental objects and intricate labyrinthine forms.
An Engraved Landscape: Rock carvings in the Wadi al-Ajal, Libya
An Engraved Landscape is a contextual analysis of a substantial new corpus of engravings from the Wadi al-Ajal, situated in the Central Saharan region of south west Libya. The wadi is renowned as the heartland of the Garamantian civilization, which emerged from local mobile Pastoral communities in the 1st millennium BC, and dominated trans-Saharan trade and politics for over a thousand years. Extensive archaeological and palaeoenvironmental investigations in recent years have provided detailed insight into the later prehistory and protohistory of the wadi and surrounding areas. However, prior to the fieldwork detailed in this work, only a handful of carvings had been recorded in the wadi. Th...
Études touarègues
Cette étude, réalisée à la demande de l'Agence de coopération culturelle et technique (Paris), propose un bilan très complet des recherches en sciences humaines (société, langue et culture) consacrées aux Touaregs. Résultant d'une large coopération internationale, l'ouvrage répertorie l'ensemble des activités (enseignement et recherche) et des sources documentaires ayant trait à ce domaine. Il est complété par une bibliographie analytique de 673 titres, couvrant la production de la décennie 1977-1987. Instrument de travail d'une ampleur et d'une précision exceptionnelles, réalisé par les meilleurs spécialistes internationaux du domaine, ce sera un outil indispensable et pratique pour tous ceux qui s'intéressent aux Touaregs.
Indian Rock Art and Its Global Context
This is a unique volume in the history of rock art studies, meant at once for the advanced scholar, serious student and the curious but conscientious layman, co-authored by K.K. Chakravarty and R.G. Bednarik, who co-chaired the Rock Art session of the World Archaeological Congress 3 at Delhi in 1994. It is a synoptic but comprehensive survey, illustrated by 221 photographs and sketches, including 172 photographs in colour. The two scholars have not only described the latest state of research on rock art, but also transported rock art studies into the realm of interdisciplinary, inter-cultural analysis. Buttressed by an indicative map of the rock art regions, a list of major up to date direct...
