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Henrietta Moraes was a model for some of the most famous artists of our time, including Lucian Freud and Francis Bacon. In the last year of her tempestuous life she was painted and drawn by the artist Maggi Hambling.
Henrietta has spent her life living from one extreme to another. Given three months to live she finally found the courage to give up the drink and find a new life for herself. Written with honesty and elegance, this is a wonderful and moving story.
The first reference work devoted to their lives and roles, this book provides information on some 200 artists' models from the Renaissance to the present day. Most entries are illustrated and consist of a brief biography, selected works in which the model appears (with location), a list of further reading. This will prove an invaluable reference work for art historians, librarians, museum and gallery curators, as well as students and researchers.
Book 2 in Ved Mehta's Continents of Exile series. Nearly 50 years in the making, Continents of Exile is one of the great works of twentieth-century autobiography: the epic chronicle of an Indian family in the twentieth century. From 1930s India to 1950s Oxford and literary New York in the 1960s-80s, this is the story of the post-colonial twentieth century, as uniquely experienced and vividly recounted by Ved Mehta. After studying in the United States, Mehta - blind since childhood - achieves his dream of enrolling at the University of Oxford: a place that has consumed his imagination ever since he was a small boy growing up under the British Raj. In Up at Oxford, Mehta recalls the nuances of his conversations, the range of his youthful emotions, and the sounds, smells, and tastes of university life. Along the way he draws memorable portraits of, among others, novelists, poets, scholars, and peers.
A memoir and cultural history the World’s End, a West London area once home to bohemian artists and punk rock and now an outpost of neoliberalism. Charlie Gere’s account of growing up in the World’s End area of West London during the Cold War combines local history, cultural history, memoir, and a strong sense of the apocalyptic. Once a rundown part of Chelsea at the wrong end of the King’s Road, the World’s End has long been a place for bohemian writers and artists, including Turner, Whistler, Beckett, Bacon, and Bacon’s muse Henrietta Moraes, all of whom evinced an appropriate apocalyptic sensibility. After World War II, in which the area suffered severe bombing, it became a ce...
'Entertaining, shocking, uproarious, hilarious . . . like eavesdropping on a wake, as the mourners get gradually more drunk and tell ever more outrageous stories' Sunday Times This is the definitive history of London's most notorious drinking den, the Colony Room Club in Soho. It’s a hair-raising romp through the underbelly of the post-war scene: during its sixty-year history, more romances, more deaths, more horrors and more sex scandals took place in the Colony than anywhere else. Tales from the Colony Room is an oral biography, consisting of previously unpublished and long-lost interviews with the characters who were central to the scene, giving the reader a flavour of what it was like ...
Jointly published by the Hayward Gallery and the University of California Press on the occasion of the exhibition "Francis Bacon: the human body " organized by the Hayward Gallery, London, 5 February-5 April, 1998.
Brings together, for the first time, Lucian Freud's oil on copper paintings, including his lost portrait of Francis Bacon and two works that have never been reproduced before In the early 1950s, Lucian Freud produced several works in oil paint on copper, a technique favored by 17th-century artists such as Rembrandt and Frans Hals, but unusual for a 20th-century painter. Originally thought to be only a handful, Freud in fact painted more than a dozen copper works--all small-scale, enamel smooth and astonishingly intense. Based on a decade of research, this book, for the first time, brings together all of Freud's "coppers," including two works that have never been reproduced before. Among these paintings is Freud's famous portrait of Francis Bacon, labeled by Nicholas Serota as "the most important portrait of the 20th century." The work was stolen in 1988--its whereabouts still unknown--but during research for the book a rare photograph was discovered that shows the work just minutes before the theft, and it is published here for the first time.
Maggi Hambling is one of Britain's most celebrated and controversial contemporary artists. Her best-known works are her public sculpture of Oscar Wilde in London and The Scallop, celebrating composer Benjamin Britten, on the beach at Aldeburgh. But her paintings are just as remarkable, stirring emotions through broad, intense brush strokes and an unflinchingly direct engagement with her subject matter. Possessing a candor and emotiveness that is at odds with much contemporary art, Hambling's paintings are distinct and unforgettable. War Requiem for the first time brings together Hambling's many paintings of battlefields and the victims of war. Though fiercely contemporary, the paintings none...