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The beauty of Egyptian, Babylonian, and Cretan art is shot through with oddity. However much we are fascinated by the ancient works, we find ourselves wondering what precisely the artists meant when they rendered objects and indicated spatial relations the way they did. Arrest and Movement is the only book to analyze pre-Greek art in terms of issues such as space and narrative. It is a landmark book that will bring to students and museum-goers deeper understanding of this eloquent but seemingly eccentric art.
Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals
This volume assembles leading Near Eastern art historians, archaeologists, and philologists to examine and apply critical contemporary approaches to the arts and artifacts of the ancient Near East. The contributions in the volume, which include a comprehensive first chapter by the editor and twelve paired chapters (each of which explores a key theme of the volume through a specific case study), are divided into six sections: Representation, Context, Complexity, Materiality, Space, and Time | Afterlives. A number of sub-themes and questions also thread through the volume as a whole: how might art historical, archaeological, anthropological, and philological approaches to the Near East complem...
This volume addresses and problematizes the formation and transformation of the ancient Near Eastern art historical and archaeological canon. The 'canon' is defined as an established list of objects, monuments, buildings, and sites that are considered to be most representative of the ancient Near East. In "testing" this canon, this project takes stock of the current canon, its origins, endurance, and prospects. Boundaries and typologies are examined, technologies of canon production are investigated, and heritage perspectives on contemporary culture offer a key to the future.
Lawrence Durrell’s position as one of the twentieth century’s leading novelists is continually being enlarged and revised. This book presents unusual and unorthodox explorations of Alexandria, the city at the heart of Durrell’s writing, his family relationships, his biographer Michael Haag, and his affinity with such diverse writers as Rilke and Virgil. In particular, it offers an insight into Durrell’s emotions and sensibilities in elaborating his Sicilian Carousel and a penetrating and totally unique reading of Durrell’s Alexandria Quartet in the light of the art and landscape of ancient Egypt.
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