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Proceedings of the Seminar for Arabian Studies
Contains selected papers given at the 4th- Seminars, held 1970-
A History of Hegelianism in Golden Age Denmark, Tome II
This is the second volume in a three-volume work dedicated to exploring the influence of G.W.F. Hegel’s philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of the Golden Age culture. This second tome treats the most intensive period in the history of the Danish Hegel reception, namely, the years from 1837 to 1841. The main figure in this period is the theologian Hans Martensen who made Hegel’s philosophy a sensation among the students at the University of Copenhagen in the late 1830s. This period also includes the publication of Johan Ludvig Heiberg’s Hegelian journal, Perseus, and Frederik Christian Sibbern’s monumental review of it, which represented the most extensive treatment of Hegel’s philosophy in the Danish language at the time. During this period Hegel’s philosophy flourished in unlikely genres such as drama and lyric poetry. During these years Hegelianism enjoyed an unprecedented success in Denmark until it gradually began to be perceived as a dangerous trend.
The Invisible Slavs
Èe izraz »prazgodovina« uporabimo za èas in prostor, ki ga pisni viri ne »vidijo«, potem imamo ozemlja, ki so »prazgodovinska« tudi v èasu, ki sicer splošno velja za »zgodovino«. V tem pomenu še vedno obstajajo v Evropi v èasu zgodnjega srednjega veka obširna ozemlja, kjer stanje pisnih virov lahko opišemo kot prazgodovinsko. Še posebej velja to za ozemlja, ki so jih naseljevali Slovani. Mednje spada tudi današnja Slovenija, kjer leži Bled. Ta »stopi v zgodovino« šele leta 1004. Ali je ob tem notranji pogled v življenje za pisne vire nevidnih ljudi sploh mogoè? Res se ne moremo preprosto prestaviti v minuli èas, da bi si ogledali, kako je bilo. Lahko pa se postavimo ...
Deutsche Kunstausstellung in Cassel 1913: Aufbruch zur Kunstmetropole
Cassel 1913. Die prosperierende Großstadt begeht ihre 1000-Jahrfeier mit einem opulenten Festprogramm. Dieses wird begleitet von einer Kunstausstellung, wie sie bis dahin noch nicht zu sehen war: Im Orangerieschloss sind vom 5. Juni bis zum 1. September auf der „Deutschen Kunstausstellung Cassel 1913“ fast 850 Werke – Gemälde, Skulpturen, Aquarelle, Druckgraphik, Zeichnungen – von 301 lebenden Künstlern zu sehen. Zu ihnen gehören die ’Gefragtesten’ der Zeit wie Carl Bantzer, Max Beckmann, Lovis Corinth, August Gaul, Hermann Hahn, Adolf von Hildebrand, Adolf Hölzel, Leopold von Kalckreuth, Käthe Kollwitz, Max Liebermann, Richard Müller, Hans Olde, Emil Orlik, Max Slevogt, F...
