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Bhadreśvar
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The Sufi Paradigm and the Makings of a Vernacular Knowledge in Colonial India
This book demonstrates how a local elite built upon colonial knowledge to produce a vernacular knowledge that maintained the older legacy of a pluralistic Sufism. As the British reprinted a Sufi work, Shah Abd al-Latif Bhittai's Shah jo risalo, in an effort to teach British officers Sindhi, the local intelligentsia, particularly driven by a Hindu caste of professional scribes (the Amils), seized on the moment to promote a transformation from traditional and popular Sufism (the tasawuf) to a Sufi culture (Sufiyani saqafat). Using modern tools, such as the printing press, and borrowing European vocabulary and ideology, such as Theosophical Society, the intelligentsia used Sufism as an idiomatic matrix that functioned to incorporate difference and a multitude of devotional traditions—Sufi, non-Sufi, and non-Muslim—into a complex, metaphysical spirituality that transcended the nation-state and filled the intellectual, spiritual, and emotional voids of postmodernity.
Sultans of the South
Between the 14th and the 17th century, the Deccan plateau of south-central India was home to a series of important and highly cultured Muslim courts. Subtly blending elements from Iran, West Asia, southern India, and northern India, the arts produced under these sultanates are markedly different from those of the rest of India and especially from those produced under Mughal patronage. This publication, a result of a 2008 symposium held at The Metropolitan Museum of Art, investigates the arts of Deccan and the unique output in the fields of painting, literature, architecture, arms, textiles, and carpet.
Imagining Architects
"Imagining Architects explores the nature of visual inventions in the religious architecture of India using an analytical framework that gives makers of religious monuments a visibility commonly denied to them in the historiography of Indian art and architecture. The exploration is based on a series of unusual formal experiments documented in a group of stone temples built in the eleventh century in the Karnataka region of southern India. The author shows (in these experiments) a deliberate search for a new architectural principle, using textual evidence and inscriptions referring to architects. The author also demonstrates a self-conscious modernity of Karnataka's makers, who negotiated architectural traditions and religious ideas to radically change a previous architectural norm dominating the region."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Annual Report
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