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The author's quest for spiritual renewal is illuminated in descriptions of his impressions of Greece and its people.
The rich history of African-American theatre has often been overlooked, both in theoretical discourse and in practice. This volume seeks a critical engagement with black theatre artists and theorists of the twentieth century. It reveals a comprehensive view of the Art or Propaganda debate that dominated twentieth century African-American dramatic theory. Among others, this text addresses the writings of Langston Hughes, W.E.B. DuBois, Alain Locke, Lorraine Hansberry, Amiri Baraka, Adrienne Kennedy, Sidney Poitier, and August Wilson. Of particular note is the manner in which black theory collides or intersects with canonical theorists, including Aristotle, Keats, Ibsen, Nietzsche, Shaw, and O'Neill.
Some of the most rewarding pages in Henry Miller's books concern his self-education as a writer. He tells, as few great writers ever have, how he set his goals, how he discovered the excitement of using words, how the books he read influenced him, and how he learned to draw on his own experience.
Miller as a writer whose work does something more profound and violent to literary conventions than produce novel effects: it announces the possibility of difference and instability within language itself. Henry Miller is a cult figure in the world of fiction, in part due to having been banned for obscenity for nearly thirty years. Alongside the liberating effect of his explicit treatment of sexuality, however, Miller developed a provocative form of writing that encourages the reader to question language as a stable communicative tool and to consider the act of writing as an ongoing mode of creation, always in motion, perpetually establishing itself and creating meaning through that very mot...
In this unique work, Henry Miller gives an utterly candid and self-revealing account of the reading he did during his formative years.
Nexus: The International Henry Miller Journal is dedicated to the work and life of Henry Miller and his circle (Anaïs Nin, Lawrence Durrell, June Miller, etc.). Issued annually, it contains previously unpublished essays and letters by and about Henry Miller. For current pricing and availability of back issues visit our website at www.nexusmiller.org. To order copies or submit an article (LA format) please contact: Dr. James M. Decker at nexusjournal@hotmail.Contents of Volume 12 (2018)Letters from June Corbett to Henry Miller 1965-1972, Part 2Eric D. LehmanNever to Return: Aller Retour New York and Henry Miller's Sehelved EpistleWayne E. Arnold"For a hundred years or more the world, our world has been dying.": Degeneration, Sex, and the Palliative Writing of Henry Miller and Djuna BarnesJohn CleggA Romanticist on Crete: Aspects of Henry Miller's VitalismFinn JensenHenry Miller and the Oranges of Hieronymus BoschInez Hollander LakeA Letter from June Inspired by Femme Fatale: The Life of June Mansfield MillerIda TherénA Commentary on Errors: On Book Three of Henry Miller's Book of Friends: A TrilogyAkiyoshi SuzukiThe Henry Miller Memorial LibraryKaty Masuga
An essential collection of writings, bursting with Henry Miller’s exhilarating candor and wisdom In this selection of stories and essays, Henry Miller elucidates, revels, and soars, showing his command over a wide range of moods, styles, and subject matters. Writing “from the heart,” always with a refreshing lack of reticence, Miller involves the reader directly in his thoughts and feelings. “His real aim,” Karl Shapiro has written, “is to find the living core of our world whenever it survives and in whatever manifestation, in art, in literature, in human behavior itself. It is then that he sings, praises, and shouts at the top of his lungs with the uncontainable hilarity he is famous for.” Here are some of Henry Miller’s best-known writings: an essay on the photographer Brassai; “Reflections on Writing,” in which Miller examines his own position as a writer; “Seraphita” and “Balzac and His Double,” on the works of other writers; and “The Alcoholic Veteran,” “Creative Death,” “The Enormous Womb,” and “The Philosopher Who Philosophizes.”
An engaging invitation to rediscover Henry Miller—and to learn how his anarchist sensibility can help us escape “the air-conditioned nightmare” of the modern world The American writer Henry Miller's critical reputation—if not his popular readership—has been in eclipse at least since Kate Millett's blistering critique in Sexual Politics, her landmark 1970 study of misogyny in literature and art. Even a Miller fan like the acclaimed Scottish writer John Burnside finds Miller's "sex books"—including The Rosy Crucifixion, Tropic of Cancer, and Tropic of Capricorn—"boring and embarrassing." But Burnside says that Miller's notorious image as a "pornographer and woman hater" has hidde...
Nexus: The International Henry Miller Journal is dedicated to the work and life of Henry Miller and his circle (Anaïs Nin, Lawrence Durrell, June Miller, etc.). Issued annually, it contains previously unpublished essays and letters by and about Henry Miller. The journal's primary goal is too reevaluate Miller's place in the canon by interpreting his texts with fresh perspectives. The current issue contains the following: Introduction by Dr. James M. Decker Letters from June [Miller] Corbett to Henry Miller 1965-1972, Part 1. Edited by Eric D. Lehman. What Are You Going To Do about Max?: Understanding Anti-Semitism in "Max." By Jennifer Cowe. "Holy the lone juggernaut!" Miller, Ginsberg, and...