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In Jazz Age America and Europe few stars burned brighter than Seward Collins, who seemingly had it all - money, breeding, good looks, and literary talent. His friends included Fitzgerald, Dreiser, Mencken, and Hemingway, while among his lovers was Dorothy Parker. Yet, in the 1930s, this glittering creature would announce that he was a «Fascist». This book, useful for any study of the American Jazz Age or world Fascism, explores Collins' curious story, and asks if there might be a Fascist tradition in America, as much a part of the nation as Flag Day and apple pie.
Published in 1932, Death in the Afternoon reveals its author at the height of his intellectual and stylistic powers. By that time, Hemingway had already won critical and popular acclaim for his short stories and novels of the late twenties. A mature and self-confident artist, he now risked his career by switching from fiction to nonfiction, from American characters to Spanish bullfighters, from exotic and romantic settings to the tough world of the Spanish bullring, a world that might seem frightening and even repellant to those who do not understand it. Hemingway's nonfiction has been denied the attention that his novels and short stories have enjoyed, a state of affairs this Companion seek...
This book presents interprative approaches to Willa Cather based on materials available in the Drew University Cather Collection. The scholars suggest the work left to do on Willa Cather, and the diverse directions in which scholars now must travel.