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Botanical Art from India
The links between the Royal Botanic Garden Edinburgh and India go back for two and a half centuries. Surgeons who had studied botany at the Garden laid the foundations of western knowledge of the Indian flora. Supplementing their written plant descriptions with botanical drawings, commissioned from Indian artists, they established collections which survive today at Edinburgh, the Natural History Museum and the Royal Botanic Gardens, Kew. This book tells the story of these collections, reproducing a selection of 86 exquisite, original drawings - including examples made in all three of the Presidencies (administrative units) of British India (Bombay, Bengal and Madras), between 1770 and 1860.
The Cleghorn Collection
After Cleghorn?s death his outstanding collection of drawings, and books relating to forestry and botany, was divided between the University of Edinburgh and what became the National Museum of Scotland. The latter share was transferred to the Royal Botanic Garden Edinburgh (RBGE) in 1940, whereupon it was reunited with his substantial Indian herbarium that had been given in 1896. At this point Cleghorn became, if posthumously, one of the most significant benefactors in the Garden?s 300-year history? books dating back to 1582, and around 3000 exquisite botanical drawings. 00Hugh Francis Clarke Cleghorn (1820?1895) was one of the many remarkable Scottish surgeons who worked for the East India Company, but who used an official posting as a base for research upon India?s rich flora, and recording it visually in drawings made by Indian artists. His particular interest was in useful plants, which led to the major work in the field of forest conservancy for which he is best remembered.
Indian Forester, Scottish Laird
Hugh Francis Clarke Cleghorn (1820-1895) was one of the many remarkable Scottish surgeons who worked for the East India Company, but who used an official posting as a base for research upon India's rich flora, and recording it visually in drawings made by Indian artists. His particular interest was in useful plants, which led to the major work in the field of forest conservancy for which he is best remembered.
The Dapuri Drawings
This lavishly illustrated book is about a remarkable collection of botanical drawings belonging to the Royal Botanic Gardens, Edinburgh. The watercolours were commissioned by Alexander Gibson, an East India Company surgeon, and depict plants grown in the botanic gardens under his control in the Bombay Presidency. They are the work of an unknown Portuguese-Indian artist and were made between 1847 and 1850. The main section of the book includes colour reproductions of the 170 drawings arranged in order of the Bombay Flora, which Gibson co-authored with Nicholas Dalzell. Half the species depicted are native to western India, the other half are exotics from as far afield as Argentina and Australia. The colour plates are preceded by substantial chapters on Gibson's life and work and a history of Dapuri and the other botanic gardens under his charge. An illustrated introduction tells of the author's travels in search of information about Gibson, his gardens and the drawings
Forgotten Masters
As the East India Company extended its sway across India in the late eighteenth century, many remarkable artworks were commissioned by Company officials from Indian painters who had previously worked for the Mughals. Published to coincide with the first UK exhibition of these masterworks at The Wallace Collection, this book celebrates the work of a series of extraordinary Indian artists, each with their own style and tastes and agency, all of whom worked for British patrons between the 1770s and the bloody end of the Mughal rule in 1857. Edited by writer and historian William Dalrymple, these hybrid paintings explore both the beauty of the Indian natural world and the social realities of the...
The Scottish Enlightenment Abroad
In The Scottish Enlightenment Abroad, Janet Starkey examines the lives and works of Scots working in the mid eighteenth century with the Levant Company in Aleppo, then within the Ottoman Empire; and those working with the East India Company in India, especially in the fields of natural history, medicine, ethnography and the collection of Arabic and Persian manuscripts. The focus is on brothers from Edinburgh: Alexander Russell MD FRS, Patrick Russell MD FRS, Claud Russell and William Russell FRS. By examining a wide range of modern interpretations, Starkey argues that the Scottish Enlightenment was not just a philosophical discourse but a multi-faceted cultural revolution that owed its vibrancy to ties of kinship, and to strong commercial and intellectual links with Europe and further abroad.
India In Edinburgh
Roger Jeffery in this book has brought together 10 original, well-researched and well-written essays which bring to life the presence of India in the capital city of Scotland, Edinburgh. On the surface Edinburgh is a purely Scottish city: its ‘India’ past is not easily visible. Yet, from the late 17th century onwards, many of Edinburgh’s young men and women were drawn to India. The city received back money and knowledge, sculpture and paintings, botanical specimens and even skulls! Colonel James Skinner, well-known for establishing Skinner’s Horse, brought his sons to Edinburgh for their schooling. Though Sir Walter Scott visited India only in his imagination (and tried to stop his o...
The Frampton Flora
The Frampton Flora documents a beautiful collection of Victorian botanical paintings discovered in the attic of Frampton Court in Gloucestershire over a century after they were created. First published over twenty years ago, this revised, redesigned and updated edition of a classic bestseller includes new paintings that have come to light since the original discovery.Between 1828 and 1851 sisters Elizabeth, Charlotte, Catherine and Mary Anne Clifford and their aunts Charlotte Annne, Catherine Elizabeth and Rosamond. accumulated a portfolio of over 300 exquisite watercolours of the wild flowers of Frampton and the surrounding area. The paintings are bold, exactly observed, and beautifully and skilfully executed. Although many of the flowers were sketched in the field, the watercolours were perfected at home and captioned in ink with the plant's Linnaean family as well as their common names.Richard Mabey describes not only the paintings and the family, but relates their work to the rich flora of the woodlands, grasslands, wetlands, gardens and fields of England in the mid-nineteenth century
