You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This is a guide, in theory and in practice, to how current technological changes have impacted our interaction with texts and with each other. Henry Sussman rereads pivotal moments in literary, philosophical and cultural modernity as anticipating the cybernetic discourse that has increasingly defined theory since the computer revolution. Cognitive science, psychoanalysis and systems theory are paralleled to current trends in literary and philosophical theory. Chapters alternate between theory and readings of literary texts, resulting in a broad but rigorously grounded framework for the relation between literature and computer science. This book is a refreshing perspective on the analog-orientated tradition of theory in the humanities – and offers the first literary-textual genealogy of the digital.
Veteran scholar and critic Henry Sussman deploys anecdote, reportage, and memoir to lament and scrutinize the rise of anti-intellectualism in the past few decades. How are we to reckon with the decline of impartiality and sharp increase in self-interested interference in politic, legal, and cultural spheres; the normalization of pathological narcissism in public life; and the blanket dismissal of scientific findings and their counterparts in the humanities and social sciences? In retracing his own intellectual and experiential steps, Sussman revisits many of his lasting inspirations, including Walter Benjamin, Jacques Derrida, Douglas R. Hofstadter, Immanuel Kant, and J. Hillis Miller. The result is an intellectual meditation on 'the great dismissal,' in public and political life, of venerable and vital humanistic traditions, ethics, and ways of thinking.
"A splendid addition to the now-long list of Professor Sussman's admirable books."---J. HILLIS MILLER, University of California, Irvine --
Today's critic must be something of a philosopher as well as a poet. Yet her work remains above all that of the close reader, and the emergence of the values embodied by the close reader to stand alongside those of the philosopher and the poet may be one of the most significant intellectual developments to emerge in the post-World War II years. This book analyzes the language poets, Deleuze and Guattari, and above all Benjamin and Derrida, to trace the various dimensions of the task of the critic. It concludes with a major chapter on the significance of Derrida's recent work for the conceptualization of religion, and with an Afterword examining the role of the Romantic discourse of the fragment in the archeology of all these discursive strands. The task of the critic, now invited to pass through the discourses of philosophy, poetry, and religion beyond that of close reading, has never been harder--nor have we ever been more in need of it.
Building upon Nietzsche's fatal confrontation "The Wanderer and His Shadow" and Jacques Derrida's initiation of the era in critical theory with the formulation "The outside is the inside," the author pursues the vicussitudes of the dimensional frontier in a range of artifacts and authors.
Ambitious in scope and innovative in concept, this book offers an overview and critique of the conventions surrounding artistic creativity and intellectual endeavor since the outset of "the broader modernity", which the author sees as beginning with the decline of feudalism and the Church. As a work of intellectual history, it suggests that art and the conventions associated with the artistic constitute a secular institution that has supplanted pre-Reformation theology. From the perspective of the "subject," modernity has entailed a heightened sense of individuation, moral conflict, and pervasive loss and disaster. Yet the pitfalls that have earmarked personal experience have taken on positi...
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Explores the hidden political and ethical dimensions of the work of Samuel Beckett, an author who might otherwise be considered indifferent to such considerations.
Sussman here explores the relevance and value of object-relations theory to literature and literary studies. His study of character treats literature as a medium in which important relationships to conceptualized others—artifacts, mentors, activities, and schools of thought—are being worked through. Although rooted in the psychoanalytical model, this book is ultimately a study of character and of the conditions of subjectivity and intellectual work in the contemporary world. No background in literature or psychoanalysis is necessary for its understanding and productive use. Beginning his study of character with Sophocles’ The Antigone and Shakespeare’s Othello, Sussman then goes on to locate the underpinnings of twentieth-century notions of the grandiose and of subjective emptiness in the Romantic exploration of the sublime. Discussions of characterization in Kafka, Joyce, and Beckett lead to an extended reading of Musil’s A Man Without Qualities. To show the increasing awareness of narcissistic psychopathology in contemporary popular culture, Sussman also includes readings of “Citizen Kane” and “The Silence of the Lambs.”
Why do we continue to desire psychoanalysis? What can this desire contribute to a vital cultural criticism? In Desire of the Analysts, these and other questions are addressed by leading contributors from a variety of fields, including Sharon Nell, Deneen Senasi, Kaja Silverman, Henry Sussman, Domietta Torlasco, Pierre Zoberman, and Slavoj Zðizûek. They argue for the urgency of a psychoanalytic criticism that is at once intellectually vibrant, politically engaged, and uniquely able to illuminate the psychic motivations and gratifications underlying a range of contemporary cultural phenomena. These phenomena include nationalistic violence, the formation of normative masculinity, the psychic ...