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From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910-1991) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the war, Ross returned to Poland to retrieve them. Although some were destroyed by nature and time, many negatives survived. Memory Unearthed presents a selection of the nearly 3,000 surviving images--along with original prints and other archival material including curfew notices and newspapers--from the permanent collection at the Art Gallery of Ontario. Ross's images offer a startling and moving new representation of one of humanity's greatest tragedies. Striking for both their historical content and artistic quality, his photographs have a raw intimacy and emotional power that remain undiminished. Distributed for the Art Gallery of Ontario Exhibition Schedule: Art Gallery of Ontario (01/31/15-06/14/15)
*'The Republic of Motherhood' Winner of the Forward Prize for Best Single Poem* ‘I crossed the border into the Republic of Motherhood and found it a queendom, a wild queendom.’ In this bold and resonant gathering of poems, Liz Berry turns her distinctive voice to the transformative experience of new motherhood. Her poems sing the body electric, from the joy and anguish of becoming a mother, through its darkest hours to its brightest days. With honesty and unabashed beauty, they bear witness to that most tender of times – when a new life arrives, and everything changes.
Historia wywiadu Ministerstwa Spraw Wewnętrznych była dosyć burzliwa. Podlegał wielokrotnie zmianom i poważniejszym reorganizacjom – wypływającym z ogólnych przesłanek politycznych, będącym reakcją na mniej lub bardziej przypadkowe wydarzenia, które zaszły w obrębie samego wywiadu, czy też wynikającym z działań zmierzających do racjonalizowania działalności jego poszczególnych komórek.
A historical fiction novel, set in the 17th century in the Polish-Lithuanian Commonwealth during the Khmelnytsky Uprising. It was a vehicle for expressing Polish patriotism in a Poland partitioned and deprived of independence. Despite some deviations, the book's historical framework is genuine and the fictional story is woven into real events. Many characters are historical figures, including Jeremi Wiśniowiecki and Bohdan Khmelnytsky (Polish: Bohdan Chmielnicki). Sienkiewicz researched memoirs and chronicles of the Polish nobility, or szlachta, for details on life in 17th-century Poland. The book was written, according to the author, "to lift up the heart" of the Polish nation in the unhappy period following the failed January Uprising during the era of the partitions of Poland. Thus it often favors epic plots and heroic scenes over historical accuracy. Nonetheless, Sienkiewicz's vivid language made it one of the most popular books about that particular place and era.
'This is a timely, challenging and fascinating book on a topic of central importance to the success or otherwise of our climate change policies. It sets down a clear marker for what has to be done in the aviation sector.' Professor John Whitelegg, Stockholm Environment Institute, University of York, UK 'Climate Change and Aviation presents a clear picture of the transport sector's greatest challenge: how to reconcile aviation's immense popularity with its considerable environmental damage and its dependence on liquid hydrocarbon energy sources. This book avoids wishful thinking and takes the much harder, but more productive, path of considering difficult solutions that clash with short-term ...