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A richly illustrated biographyon the life and work ofBarbara Hepworth, one of thetwentieth century's mostinspiring artists and a pioneerof modernist sculpture.
Disobedient Bodies: JW Anderson at The Hepworth Wakefield' has been published alongside the exhibition of the same name, curated by JW Anderson and opening The Hepworth Wakefield in March 2017. The book? made in a close collaboration between Jonathan Anderson, Andrew Bonacina and OK-RM? acts as an alternative exhibition space in which the pairings and combinations that unfold within The Hepworth?s galleries come in to play with images from Anderson?s collaborative photographic projects with Jamie Hawkesworth. The book object comprises a series of interleaved sections amassing 142 pages and featuring works by Barbara Hepworth, Henry Moore, Constantin Brancusi, Eileen Gray, Sarah Lucas, Jean Paul Gaultier, Christian Dior, Helmut Lang and many more, alongside contributions from Anderson?s own collections.00Exhibition: The Hepworth Wakefield, West Yorkshire, United Kingdom (18.03.-18.06.2017).
Accompanies the exhibition co-organized by the Yale Center for British Art, New Haven, shown June 5-September 13, 2020, the Hepworth, Wakefield, shown February 7-May 3, 2020, and the Sainsbury Center, University of East Anglia, shown November 22, 2020-February 28, 2021.
Discusses Hepworth's work and the museum designed to display it.
Alysia Vasey's earliest memories are of walking alongside her grandfather as they explored the West Yorkshire moors that they called home. As an adult, this love for wild things stayed with her, even as she learnt that her family's knowledge of edible plants were a legacy of a much darker time during the Second World War. After leaving Yorkshire in search of adventure, Alysia was eventually guided home by her motto: Be true to yourself and you will become the person you were meant to be. She left her traditional path and took a far wilder journey that gradually evolved into one of the UK's most successful foraging businesses, supplying some of the greatest chefs in the world and the best res...
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One of England’s best-loved sculptors, Barbara Hepworth (1903–1975) was an important figure in the development of international abstract art. This book explores a two-year period of Hepworth’s life when she created nearly 80 figurative drawings of surgeons at work in hospital operating rooms. Numerous never-before-seen drawings are featured here alongside images from Hepworth’s only surviving hospital sketchbook. A 1950 lecture in which Hepworth explains the importance of the drawings to her sculptural practice accompanies the illustrations, along with an essay that traces their development and examines the deep and lasting friendship of Hepworth and the surgeons she painted.
Encountering the work of Alan Davie (1920-2014) at Wakefield Art Gallery in 1958, a young David Hockney (b.1937) was struck by Davie's landmark Abstract Expressionist paintings, which mirrored and stimulated his own fledgling experimentation with colourful abstraction. Juxtaposing the remarkable early work of two greats of post-war painting, this book provides an original perspective on an important aspect of two significant artistic careers. A richly illustrated text demonstrates points of convergence -- such as the painterly surface, passion and poetry, and an exploration of text within the pictorial frame -- while also presenting divergence, moving the discussion beyond comparison to reveal a moment when each artist expanded the expressive potential of the painted canvas. Seeking to suggest new relationships and continuities between two generations previously segregated, this beautifully produced publication is ambitious in its intention, pushing the boundaries of traditional interpretations of British art history.
"Barbara Hepworth's work and ideas are illuminated in her own lucid and eloquent words in this first collection of her writings and conversations. The collection makes available much that is out of print and inaccessible, and includes a significant number of unpublished texts. It is a surprisingly large body of work, and it spans almost the whole of Hepworth's artistic life. Her gift for language and desire to communicate to a public are evident throughout. Alongside the writings are Hepworth's lectures and speeches, a selection of interviews and conversations with writers and journalists, and radio and television broadcasts. The collection sheds new light on Hepworth's life, her working practices, the sources of her inspiration, the breadth of her intellectual interests and her deep engagement with contemporary politics and society, from the United Nations to St Ives. The illustrations include manuscripts and archive photographs from Hepworth's own collection"--Publisher's description
Renowned for her elegantly sleek sculptures in stone, wood, and bronze, Barbara Hepworth (1903-1975) is among Britain's most important modern artists. This groundbreaking new publication focuses on the spaces and contexts, physical and conceptual, in which the artist is positioned. It examines her interest in staging and presenting work--indoors and out--in studio, film, garden, stage, architecture, photography, and print. As well as placing her work alongside her British and international contemporaries, a broad range of distinguished contributors also consider wider technical and intellectual concerns. Richly illustrated with more than 200 color images drawn from her entire career, the catalog represents some of Hepworth's best-known works in addition to introducing some of her less familiar pieces. The book features previously unseen documentary material, including photographs and film stills that cast new light on one of the 20th century's greatest artists.