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New Zealand's best-selling poetry collection, from the mysterious force behind such classics as 'Monica' (as in, the one from Friends) and 'Keats is Dead so F**k Me from Behind' this impressive debut has established Hera Lindsay Bird as a good girl......with many beneficial thoughts and feelings...... with themes as varied as snow and tears, the poems in this collection shine with the fantastic cream of who she is................juxtaposing many classical and modern breezes Bird turns her prescient eye on love and loss, and what emerges is like a helicopter in fog......or a bejewelled Christmas sleigh, gliding triumphantly through the contemporary aesthetic desert......... this is at once an...
Love, death, Bruce Willis, public urination, being a woman, love, The Nanny, love. This pamphlet of poetry by Hera Lindsay Bird, is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. This collection, which focusing on love, childish behaviours, 90's celebrity references and being a woman is sure to confirm all your worst suspicions and prejudices. In a recent comments section on the Guardian, her work was described as "This comment was removed by a moderator because it didn't abide by our community standards. Replies may also be deleted. For more detail see our FAQs," and "This comment was removed by a moderator because it didn't abide by our community standards. Replies may also be deleted. For more detail see our FAQs."
An anthology of new New Zealand verse, which first appeared in the popular Friday Poem slot in The Spinoff website. It features some of the most well-known and established names in New Zealand poetry as well as new, exciting writers. It is a showcase of New Zealand poetry.
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Megan Dunn had lost the plot—in her life and in her art. Her attempt to write a fictional tribute to Fahrenheit 451 wasn’t going well. Her employer, the bookseller Borders, was going bust. Her marriage was failing. Her prospects were narrowing. The world wasn’t quite against her – but it wasn’t with her either. Riffing on Ray Bradbury’s classic novel about the end of reading, Tinderbox is one of the most interesting books in decades about literary culture and its place in the world. More than that, it’s about how every one of us fits into that bigger picture – and the struggle to make sense of life in the twenty-first century. Ironically enough for a book about failures in ar...
'The first time I read Freya’s work I thought . . . uh oh. And then I thought, you have got to be kidding me. And then I thought, God fucking dammit. And then I walked around the house shaking my head thinking . . . OK – alright. And then – finally – I thought, well well well – like a smug policeman. Listen – she’s just the best. I’m going to say this so seriously. She is, unfortunately, the absolute best. Trying to write a clever blurb for her feels like an insult to how right and true and deadly this collection is. God, she’s just so good. She’s the best. She kills me always, every time, and forever.’ —Hera Lindsay Bird
'Moving and hopeful ... will stay with me for a long time' Daisy Buchanan 'A fearless, young new voice' Carol Ann Duffy 'One of the most exciting debuts I've read in ages' Kaveh Akbar 'One of the most startling and original poets of her generation' Joy Harjo The voice of Tayi Tibble is one of most exciting in poetry today. In Poukahangatus (pronounced 'Pocahontas'), her debut volume, Tibble challenges a dazzling array of mythologies - Greek, Maori, feminist, kiwi - peeling them apart and respinning them in modern terms. Her poems move from rhythmic discussions of the Kardashians, sugar daddies and Twilight to exquisite renderings of precise emotions and the natural world alike. Tibble is als...
'Without doubt the most arresting and original new young poet, on the page and in performance' - Carol Ann Duffy A Sunday Times Book of the Year and New Zealand's best-selling collection, from the unstoppable force behind such poems as 'Monica' (the one from Friends) and 'Keats is Dead so F**k Me from Behind' this impressive debut has established Hera Lindsay Bird as a good girl......with many beneficial thoughts and feelings...... with themes as varied as snow and tears, the poems in this collection shine with the fantastic cream of who she is................juxtaposing many classical and modern breezes Bird turns her prescient eye on love and loss, and what emerges is like a helicopter in ...
Ursula Bethell lived from 1874-1945. Born in England, she lived in Christchurch from the 1920s and wrote poetry from 1924. This book contains her three published collections (From a Garden in the Antipodes, 1929, Time and Place, 1936, and Day and Night, Poems, 1924-35), and other poems. First published in 1985. This new edition contains a new introduction, textual notes, and index of titles and first lines.
Highly regarded poet and anthologist Paula Green is the author of this novel and much overdue survey of New Zealand's women poets. At 568 pages, illustrated throughout by Sarah Laing and featuring the work of 195 poets (all of whom have biographies and full bibliographies), this book is a landmark volume and an incredible achievement. Its timing is perfect given the current re-examination of the role of the male gatekeepers of our literature in the 1940s and 1950s, who decided that women's poetry was weak and excluded it from the volumes of poetry that were to become the canon. How things have changed -- at present the most exciting poetry is coming from high-profile young women poets who al...