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BLURB
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How are you going to keep them down on the farm—after they've seen the truth?
"In the year 4000, the human race is threatened by robots bent on enslaving mankind, and only one man has the power to fight back--Magnus, Robot Fighter!"--Volume 1 cover.
THEY CAME TOGETHER TO MAKE AN X-RATED MOVIE. The Leading Lady, playing the part she played best... The Leading Man, willing to expose more than his body to make a comeback. The Best-Selling Author, ready to sacrifice anything for one last shot at love... The Producer, whose home movies would turn the censors blue... The Screenwriter, whose respectable facade masks a raging beast... And a Killer driven to destroy what he can never possess... THEY THOUGHT IT WOULD GET THEM WHAT THEY WANTED, TAKE THEM WHERE THEY WANTED TO GO. BUT THEY COULDN'T STOP! THEY HAD GONE TOO FAR!
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The New York Times–bestselling author delivers “a big, authentic novel” of the professional and personal challenges of three young doctors (The New York Times). Three young men from different backgrounds have graduated from medical schools and become surgical fellows at a leading teaching hospital in Boston. They learn to become surgeons, to communicate with patients and families, and to be observed and appraised by their peers and professors on daily rounds. And each month—sometimes with dry mouth and rapid pulse—each attends the meeting of the Mortality Conference, known to all as the Death Committee, which examines every patient loss for possible human error, in order to prevent it from happening again. How the Death Committee affects and is affected by the lives, loves, and ambitions of three new doctors is the theme of this intriguing and profoundly moving novel.
Frank Frazetta's paintings and illustrations have set the standard for fantasy artists for the past 50 years. This collection focuses on his influence in a variety of media and genres and on his place in 20th century art history. Coedited by Hugo Award-winning editor Arnie Fenner, it includes many of Frazetta's most memorable paintings as well as revised and previously unpublished works. The art is accompanied by the artist's own observations and commentary by a number of his contemporaries.
When I saw the crumpled sheet of paper with the list of names in Warren's handwriting, I knew my old buddy had really cracked. Now he had gone into hiding -- and with him his favorite war souvenir, a deadly ten-shot automatic. Somewhere in the city Warren was hiding -- watching -- and waiting. But for me there was no waiting. I knew I had to get to everybody on that list -- and fast.
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