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Was the Real Thomas Mann an Antisemite?
  • Language: en
  • Pages: 176

Was the Real Thomas Mann an Antisemite?

No, we certainly do not forget Thomas Mann's manifestations of friendship for Jews and Judaism, which we can find in Thomas Mann's "non-fictional writings" (in fact these were originally interviews, lectures. speeches, radio broadcasts). And yet, the Jewish characters in Thomas Mann's novels are there, in their inexorable negativity, a negativity cutting across everything: the different periods in Thomas Mann's writing career, the themes of the novels in which they appear, the changes in Thomas Mann's political convictions, the historical events of the 20th century.

The Dangers of Interpretation
  • Language: en
  • Pages: 334

The Dangers of Interpretation

  • Type: Book
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  • Published: 2019-08-22
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  • Publisher: Routledge

First published in 1996. This comparative study investigates thematic and technical similarities in the works of the two authors who shared a cultural heritage and achieved comparable status in their separate literary traditions. Drawing upon theories by Bloom, Bakhtin, and Lacan, the book examines ways in which Henry James and Thomas Mann treat the creative artist and analyze the creative and interpretive processes in their fiction. The texts covered range from early works to their great modern novels: The GoldenBowland Doctor Faustus To a great extent, the similarities between the works stem from the authors' preoccupation with artistic responsibility. Adopting Bloom's claim that the creative activity is an interpretive one, and that the reader, as well as the writer, interprets a text into being the book also investigates the reader's responsibility in confronting the dilemmas challenging James' and Mann's artist figures. Such challenges are "the dangers of interpretation" discussed in this book. Index. Bibliography.

The German Bestseller in the Late Nineteenth Century
  • Language: en
  • Pages: 298

The German Bestseller in the Late Nineteenth Century

A much-needed look at the fiction that was actually read by masses of Germans in the late nineteenth century, and the conditions of its publication and reception. The late nineteenth century was a crucial period for the development of German fiction. Political unification and industrialization were accompanied by the rise of a mass market for German literature, and with it the beginnings ofthe German bestseller.Offering escape, romance, or adventure, as well as insights into the modern world, nineteenth-century bestsellers often captured the imagination of readers well into the twentieth century and beyond. However, many have been neglected by scholars. This volume offers new readings of lit...

Overturning Dr. Faustus
  • Language: en
  • Pages: 322

Overturning Dr. Faustus

Lee establishes what is actually happening in the novel in its historical setting, showing Mann's view of how the acceptance of fascism occurred and the determining role he attributed to the academic community in bringing about the disaster. Her book will be of interest to both amateur and professional students of Mann, particularly because it points to rich new directions for study."--BOOK JACKET.

The Lessing Yearbook
  • Language: en
  • Pages: 306

The Lessing Yearbook

The Lessing Yearbook, the official publication of the Lessing Society, is a valuable source of information on German culture, literature, and thought of the eighteenth century. Articles are in German or English.

Weimar on the Pacific
  • Language: en
  • Pages: 384

Weimar on the Pacific

  • Categories: Art

In the 1930s and '40s, LA became a cultural sanctuary for a distinguished group of German artists and intellectuals - including Thomas Mann, Theodor W. Adorno, Bertolt Brecht, Fritz Lang, and Arnold Schoenberg - who were fleeing Nazi Germany. This book is the first to examine their work and lives.

The Exile of George Grosz
  • Language: en
  • Pages: 272

The Exile of George Grosz

  • Categories: Art

The Exile of George Grosz examines the life and work of George Grosz after he fled Nazi Germany in 1933 and sought to re-establish his artistic career under changed circumstances in New York. It situates GroszÕs American production specifically within the cultural politics of German exile in the United States during World War II and the Cold War. Basing her study on extensive archival research and using theories of exile, migrancy, and cosmopolitanism, McCloskey explores how GroszÕs art illuminates the changing cultural politics of exile. She also foregrounds the terms on which German exile helped to define both the limits and possibilities of American visions of a one world order under U....

Disciplining Germany
  • Language: en
  • Pages: 389

Disciplining Germany

A look at how the discussions, debates, and controversies in Germany about youth and reeducation after World War II helped Germans come to terms with their Nazi past, negotiate Allied occupation, and construct postwar German identity. During Hitler’s reign, the Nazis deliberately developed and exploited a youthful image and used youth to define their political and social hierarchies. After the war, with Hitler gone but still requiring cultural exorcism, many intellectuals, authors, and filmmakers turned to these images of youth to navigate and negotiate the most difficult questions of Germany’s recent, nefarious past. Focusing on youth, education, and crime allowed postwar Germans to cla...

An Aesthetics of Morality
  • Language: en
  • Pages: 246

An Aesthetics of Morality

Focusing on instances of moral pedagogy in novels by Thomas Mann, Albert Camus, Joseph Conrad, and Fyodor Dostoevsky, he suggests that literature uses an aesthetic portrayal of personal relations to introduce scenes of moral tension that illustrate the way ethical claims are made and validated."--BOOK JACKET.

The Senses of Modernism
  • Language: en
  • Pages: 263

The Senses of Modernism

In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism. The author closely analyzes Thomas Mann's The Magic Mountain, Marcel Proust's Remembrance of Things Past, and James Joyce's Ulysses as narratives of the sweeping changes that affected high and low culture in the age of technological reproduction. In her discussion of the years from 1880 to 1930, Danius proposes that the high-modernist aesthetic is inseparable from a technologically mediated crisis of the senses. She reveals the ways in which categories of perceiving and knowing are realigned when technological devices are capable of reproducing sense data. Sparked by i...