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"Something Urgent I Have to Say to You"
Herbert Leibowitz's "Something Urgent I Have to Say to You" provides a new perspective on the life and poetry of the doctor poet William Carlos Williams, a key American writer who led one of the more eventful literary lives of the twentieth century. Friends with most of the contemporary innovators of his era-Ezra Pound, James Joyce, Ford Madox Ford, and Louis Zukofsky, among others-Williams made a radical break with the modernist tradition by seeking to invent an entirely fresh and singularly American poetic, whose subject matter derived from the everyday lives of the citizens and poor immigrant communities of northern New Jersey. His poems mirrored both the conflicts of his own life and the...
Fabricating Lives
Long fascinated by the "renegade power" of autobiography and by "its multiple forms of self-disclosure and self-concealment," Herbert Leibowitz explores his lifelong interest in Fabricating Lives. A lively and original study of eight American autobiographers, the book examines the problem posed by an art where craftiness is hand in glove with craft: after all, a memoirist wants us to perceive him in a certain way; how do we penetrate his strategies and subterfuges? "The self," Leibowitz answers, "reveals itself through style." To discover the human essence of his subjects, he scrutinizes their styles (including Benjamin Franklin's plain talk and "possum's wit," Gertrude Stein's "gossipy ventriloquism," and William Carlos Williams' "grumpy clowning" and foxy innocence), looking beyond their visions of themselves to their true identities.
The Unruly Garden
Robert Duncan was a defining figure of twentieth-century American poetry. Eric Mottram was a pioneer in the field of American Studies in the UK and a key contributor to the British Poetry Revival. In the 1970s the two men conducted a wide-ranging dialogue on poetry, politics and the religious through an exchange of intense and often expansive letters. Mottram continued the dialogue in two substantive critical examinations of Duncan's work. The Unruly Garden presents an annotated edition of the complete available correspondence along with the two essays. The first essay was heavily edited when originally published and is included here in its restored form. The second essay appeared in a small press magazine and now receives the wider circulation it deserves.
Closer to the Truth Than Any Fact
Although historians frequently use memoirs as source material, too often they confine such usage to the anecdotal, and there is little methodological literature regarding the genre’s possibilities and limitations. This study articulates an approach to using memoirs as instruments of historical understanding. Jennifer Jensen Wallach applies these principles to a body of memoirs about life in the American South during Jim Crow segregation, including works by Zora Neale Hurston, Willie Morris, Lillian Smith, Henry Louis Gates Jr., William Alexander Percy, and Richard Wright. Wallach argues that the field of autobiography studies, which is currently dominated by literary critics, needs a new t...
Economy of the Unlost
The ancient Greek lyric poet Simonides of Keos was the first poet in the Western tradition to take money for poetic composition. From this starting point, Anne Carson launches an exploration, poetic in its own right, of the idea of poetic economy. She offers a reading of certain of Simonides' texts and aligns these with writings of the modern Romanian poet Paul Celan, a Jew and survivor of the Holocaust, whose "economies" of language are notorious. Asking such questions as, What is lost when words are wasted? and Who profits when words are saved? Carson reveals the two poets' striking commonalities. In Carson's view Simonides and Celan share a similar mentality or disposition toward the worl...
Honey, Olives, Octopus
Combining the best of memoir, travel literature, and food writing, Christopher Bakken delves into one of the most underappreciated cuisines in Europe in this rollicking celebration of the Greek table. He explores the traditions and history behind eight elements of Greek cuisine—olives, bread, fish, cheese, beans, wine, meat, and honey—and journeys through the country searching for the best examples of each. He picks olives on Thasos, bakes bread on Crete, eats thyme honey from Kythira with one of Greece’s greatest poets, and learns why Naxos is the best place for cheese in the Cyclades. Working with local cooks and artisans, he offers an intimate look at traditional village life, while honoring the conversations, friendships, and leisurely ceremonies of dining around which Hellenic culture has revolved for thousands of years. A hymn to slow food and to seasonal and sustainable cuisine, Honey, Olives, Octopus is a lyrical celebration of Greece, where such concepts have always been a simple part of living and eating well.
Henry Miller and Narrative Form
In this bold study James M. Decker argues against the commonly held opinion that Henry Miller’s narratives suffer from ‘formlessness’. He instead positions Miller as a stylistic pioneer, whose place must be assured in the American literary canon. From Moloch to Nexus through such widely-read texts as Tropic of Cancer and Tropic of Capricorn, Decker examines what Miller calls his ‘spiral form’, a radically digressive style that shifts wildly between realism and the fantastic. Drawing on a variety of narratological and critical sources, as well as Miller’s own aesthetic theories, he highlights that this fragmented narrative style formed part of a sustained critique of modern spirit...
Revealing Lives
Arnim, Bettina von ; Hugo, Adèle ; Wolf, Christa ; Mill, John Stuart ; Thackeray Ritchie, Anne ; Shortridge Foltz, Clara.
