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This elegantly written narrative tells the story of Virginia Woolf's life as a working writer from 1930 until her suicide in 1941--turbulent years that inspired powerful social criticism and major novels. An appendix contains letters from Woolf's cousin about the writer's final months. 24 photos.
Grounding Virginia Woolf's feminist beliefs in the everyday world, Naomi Black reclaims 'Three Guineas' as a major feminist document. Rather than a book only about war, Black considers it to be the best, clearest presentation of Woolf's feminism.
This readable, informed, and insightful book illustrates the effects Virginia Woolf's feminism had on her art. Woolf's committed feminism combined with her integrity as an artist and her ability to metamorphose ideology into art make her work particularly suitable for a study of the complex relationship of polemic to aesthetics. There is hardly a more crucial issue for the feminist artist today, who must seek a successful fusion of her principles with her art. For the student of this art Virginia Woolf and the Politics of Style provides a means to evaluate the success or failure of these strategies. While Woolf's essays reflect a strong if somewhat quirky feminism, she was highly critical of didacticism in fiction. For that reason her novels at first glance appear relatively free of polemic. Virginia Woolf and the Politics of Style reveals that her feminism is more accurately described as latent in the novels, having been merged into the aesthetic components of style, structure, point of view, and patterns of imagery.
In the first comprehensive study of Virginia Woolf's Common Reader, Katerina Koutsantoni draws on theorists from the fields of sociology, sociolinguistics, philosophy, and literary criticism to investigate the thematic pattern underpinning these books with respect to the persona of the 'common reader'. Though these two volumes are the only ones that Woolf compiled herself, they have seldom been considered as a whole. As a result, what they reveal about Woolf's position with regard to the processes of writing, reading, and critical analysis has not been fully examined. Koutsantoni challenges the critical commonplace that equates Woolf's strategy of self-effacement and personal removal from he...
The first major book of feminist critical theory published in the United States is now available in an expanded second edition. This widely cited pioneering work presents a new introduction by the editor and a new bibliography of feminist critical theory from the last decade. This book has become indispensable to an understanding of feminist theory. Contributors include Cheri Register, Dorin Schumacher, Marcia Holly, Barbara Currier Bell, Carol Ohmann, Carolyn Heilbrun, Catherine Stimpson, and Barbara A. White.
Written by leading international scholars of Woolf and modernism, The Cambridge Companion to To The Lighthouse will be of interest to students and scholars alike.
This book examines the strengths and limitations of the two main strands in feminist criticism, the Anglo-American and the French, paying particular attention to the works of Cixous, Irigaray and Kristeva.What are the political implications of a feminist critical practice? How do the problems of the literary text relate to the priorities and perspectives of feminist politics as a whole?Sexual/Textual Politics addresses these fundamental questions and examines the strengths and limitations of the two main strands in feminist criticism, the Anglo-American and the French. It pays particular attention to the works of Cixous, Irigaray and Kristeva, and since publication this book has rightly attained the status of a classic. Although written for readers with little knowledge of the subject, Sexual/Textual Politics makes its own intervention into key debates, arguing provocatively for commitedly political and theoretical criticism rather than a textual or apolitical approach.With a new afterword in this edition, Sexual/Textual Politics is a brilliantly accessible must-read for all those interested in feminist literary theory.
Described by New York Times critic John Rockwell as "one of the best non-famous composers this country has to offer," Ben Johnston reconceives familiar idioms--ranging from neoclassicism and serialism to jazz and southern hymnody--using just intonation. Johnston studied with Darius Milhaud, Harry Partch, and John Cage, and is best known for his String Quartet No. 4, a complex series of variations on Amazing Grace. This collection spans forty years and brings together forty-one of Johnston's most important writings, including many rare and several previously unpublished selections. They include position papers, theoretical treatises, program notes, historical reflections, lectures, excerpts from interviews, and letters, and they cover a broad spectrum of concerns--from the technical exegesis of microtonality to the personal and the broadly humanistic. A discography of commercially available recordings of Johnston's music closes out the collection.
In this elegantly written collection Gillian Beer considers the difficulty of reading the past in essays on Thomas Carlyle, Philip Sidney, Samuel Richardson and Virginia Woolf.
Virginia Woolf’s pioneering novel about a time-traveling sixteenth-century nobleman who wakes up in the body of a woman, with a new foreword by Andrea Lawlor, author of Paul Takes the Form of a Mortal Girl “A brilliant book that teaches you so much about identity and love—all these fundamental questions that we ask ourselves.” —Emma Corrin “I read this book and believed it was a hallucinogenic, interactive biography of my own life and future.” —Tilda Swinton A Penguin Classics Deluxe Edition First masculine, then feminine, Orlando is a young sixteenth-century nobleman who gallops through the centuries, from Elizabethan England and imperial Turkey to Virginia Woolf’s own tim...