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Shapes and Images
This collection of papers is dedicated to Herman Brijder upon his retirement from the University of Amsterdam. He is a renowned scholar in the field of Greek ancient pottery and his research is mainly concentrated on the so-called Siana cups, made in the middle of the 6th century BC at Athens. Twenty three colleagues, among which former students, wrote articles on diverse aspects of Greek pottery of the 6th and 5th centuries BC, especially on vases produced at Athens. Various contributions have been presented during a round table in Brijder's former working environment, the Allard Pierson Museum at Amsterdam. Subjects include the iconography of mythical figures, the depiction of animals, means of transport, the shapes of drinking vessels and the distribution of Athenian pottery in the Mediterranean. A few essays deal with related topics. As a whole, the volume is a representative overview of themes that matter in modern research of ancient Greek pottery.
Visions of the Future in Roman Frontier Kingdoms 100 BCE–100 CE
This is the first book-length exploration of the ways art from the edges of the Roman Empire represented the future, examining visual representations of time and the role of artwork in Roman imperial systems. This book focuses on four kingdoms from across the empire: Cottius’s Alpine kingdom in the north, King Juba II’s Mauretania in the south-west, Herodian Judea in the east, and Kommagene to the north-east. Art from the imperial frontier is rarely considered through the lens of the aesthetics of time, and Roman provincial art and the monuments of allied rulers are typically interpreted as evidence of the interaction between Roman and local identities. In this interdisciplinary study, w...
Visual Style and Constructing Identity in the Hellenistic World
A new interpretation of Nemrud Dağ, a key Hellenistic monument which encompasses both Greek and Persian elements.
Athenian Potters and Painters III
Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops – Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms – plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed painters’ names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scene...
Greek Religion
A brief but highly informative book on Greek religion in the classical period.
Etruscology
This handbook has two purposes: it is intended (1) as a handbook of Etruscology or Etruscan Studies, offering a state-of-the-art and comprehensive overview of the history of the discipline and its development, and (2) it serves as an authoritative reference work representing the current state of knowledge on Etruscan civilization. The organization of the volume reflects this dual purpose. The first part of the volume is dedicated to methodology and leading themes in current research, organized thematically, whereas the second part offers a diachronic account of Etruscan history, culture, religion, art & archaeology, and social and political relations and structures, as well as a systematic treatment of the topography of the Etruscan civilization and sphere of influence.
The Variety of Local Religious Life in the Near East
A ‘Near Eastern religion’, along the lines of ‘Greek religion’ or ‘Roman religion’, is hard to distinguish for the Classical period, since the religious cultures of the many cities, villages and regions that constituted the Near East in the Hellenistic and Roman periods were, despite some obvious similarities, above all very different from each other. This collection of articles by scholars from different disciplines (Ancient History, Archaeology, Art-History, Epigraphy, Numismatics, Oriental Studies, Theology) contributes to our quest for understanding the polytheistic cults of the Near East as a whole by bringing out the variety between the different local and regional forms of worship in this part of the world.
The Art of Ancient Greek Theater
An explanation of Greek theater as seen through its many depictions in classical art
Emotions and Narrative in Ancient Literature and Beyond
Emotions are at the core of much ancient literature, from Achilles’ heartfelt anger in Homer’s Iliad to the pangs of love of Virgil’s Dido. This volume applies a narratological approach to emotions in a wide range of texts and genres. It seeks to analyze ways in which emotions such as anger, fear, pity, joy, love and sadness are portrayed. Furthermore, using recent insights from affective narratology, it studies ways in which ancient narratives evoke emotions in their readers. The volume is dedicated to Irene de Jong for her groundbreaking research into the narratology of ancient literature.
The Look of Lyric: Greek Song and the Visual
The Look of Lyric: Greek Song and the Visual addresses the various modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality. It covers diverse poetic genres in a range of contexts radiating outwards from the original performance(s) to encompass their broader cultural settings, the later reception of the poems, and finally also their understanding in modern scholarship. By focusing on the relationship between the visual and the verbal as well as the sensory and the mental, this volume raises a wide range of questions concerning human perception and cultural practices. As this collection of essays shows, Greek lyric poetry played a decisive role in the shaping of both.
