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American Song: A-S
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American Song
Volume 1 includes material "on nearly 3,300 American musicals. Volume 2 consists of complete indexes to more than 42,000 songs and more than 16,000 personnel, as well as a chronological listing of titles by year of production."
Suburban Ark
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Twentieth Century Music Writers - A Hyperlist
How many composers, songwriters and lyricists wrote music in the twentieth century?? Who were they?? This first edition identifies more than 14,000 people who did so, and all are listed in this eBook alphabetically along with a hyperlink to their Wikipedia biographical data. Performers of blues, folk, jazz, rock & roll and R&B are included by default. PLEASE NOTE: THE HYPERLINKS IN THIS BOOK ONLY FUNCTION ON GOOGLE PLAY aka THE 'FLOWING' VERSION. The hyperlinks in this book DO NOT CURRENTLY FUNCTION on the GOOGLE BOOKS ' FIXED' version.
Geloven in Nederland
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Nooit zongen vogels harder
Rob Chrispijns succesvolle loopbaan begon met een vrije vertaling van Suzanne van Leonard Cohen, die in de uitvoering van Herman van Veen een grote hit werd. De samenwerking met Herman van Veen resulteerde in een groot aantal theatershows en platen, met evergreens als Rozengeur, Fiets, Kletsnatte clowns en Uit elkaar. Ook Liesbeth List had hits, met Kinderen een kwartje en Loeki Knol. Andere artiesten die teksten van Chrispijn zongen zijn Frans Halsema, Paul de Leeuw, Lenette van Dongen, Angela Groothuizen en Heddy Lester. Verder schreef hij theaterprogrammas voor Peter Faber en Heddy Lester en, met Hans Dorrestijn, het toneelstuk Een dag lelijk is niet erg. Zijn muzikale sprookje Santa stond in een Engelse bewerking op Broadway. Samen met twee muzikanten had hij ook een eigen theaterprogramma Ogen met uitzicht op zee waarmee hij langs kleine theaters tourde. Chrispijn werkt inmiddels al vijftien jaar met veel plezier mee aan Het Klokhuis en Sesamstraat.
The Complete Book of 1980s Broadway Musicals
For Broadway audiences of the 1980s, the decade was perhaps most notable for the so-called “British invasion.” While concept musicals such as Nine and Stephen Sondheim's Sunday in the Park with George continued to be produced, several London hits came to New York. In addition to shows like Chess, Me and My Girl, and Les Miserables,the decade’s most successful composerAndrew Lloyd Webberwas also well represented by Cats, The Phantom of the Opera, Song & Dance, and Starlight Express. There were also many revivals (such as Show Boat and Gypsy), surprise hits (The Pirates of Penzance), huge hits (42nd Street), and notorious flops (Into the Light, Carrie, and Annie 2: Miss Hannigan's Reveng...
Religion at Play
Is a powerful position a guarantee that a religion will continue? Does God take sides in religious power struggles? Can God survive religious exclusivity and diversity? Is God migrating from out there to in here? Is religion sustainable in the long run? In seeking answers to these questions, this book explores the possibilities afforded by playful religion. Religion has playful origins, but this aspect is forgotten as soon as institutional power becomes self-serving insteadof subservient. Power changes the very essence of religion. Virtually all religions are distorted versions of a playful original. Institutionalization is religion's curse, not its blessing. Apparent success hides the failure of religion to be faithful to its original intent. This book helps find the way back from bordering to inclusivity and openness.
De StripDatabank
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