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Material Culture of Breweries
Herman Ronnenberg, a historical archaeologist and brewery expert who participates in major brewery clubs and publishes regularly on the topic, offers something for everyone from scholars to casual beer aficionados. He traces the evolution of techniques, equipment, raw materials, and architecture over five centuries, discusses informal production outside of breweries, and offers detailed information on makers marks, patents, labels, and beer containers that allows readers to identify items in their own collections.
Material Culture of Breweries
From antique bottles to closely guarded recipes and treasured historic architecture, breweries have a special place in American history. This fascinating book brings the material culture of breweries in the United States to life, from many regions of the country and from early 16th century production to today’s industrial operations. Herman Ronnenberg traces the evolution of techniques, equipment, raw materials, and architecture over five centuries, discusses informal production outside of breweries, and offers detailed information on makers marks, patents, labels, and beer containers that allows readers to identify items in their own collections. Heavily illustrated with photographs and line drawings, this book will be popular with collectors and general readers, and a key reference in historical archaeology, local history, material culture, and related fields.
Mountains So Sublime
"Picturesque," "immense," "fantastic," and "sublime" are but a few of the words that early British travelers used to describe the nineteenth-century Rocky Mountain landscape and surrounding terrain. As part of a long tradition of travelers' tales, these British tourists, explorers, adventurers, writers, scientists, artists, missionaries, and merchants all looked for ways to describe and illustrate places they visited--in this instance, the vast and strange wilderness landscape of the North America's Rocky Mountains. Using both published and unpublished resources, Terry Abraham weaves these observations, their aesthetic, and their "Britishness" into a refreshing and unique view of an all-but-...
Historic Bottle and Jar Closures
This book presents a much-needed review of commercial closures for bottles and jars used in America prior to World War II. Archaeological attention to commercial closures has been rather limited. This is surprising given that data derived from bottles and jars pertain to a wide range of studies, including chronological control, trade, site functions, and methods of manufacture. Closures are an integral part of these studies, becoming particularly important after a spectacular variety of metal and glass caps in the late nineteenth and early twentieth centuries. This volume-provides a comprehensive review, including detailed closure definitions, as well as glass finishes;-discusses the history of the development and impact of the hermetic seal in commercial closures;-will appeal to students, professionals, and collectors studying this common historic artifact class.
Ceramic Makers' Marks
This book provides a catalogue of ceramic makers' marks of British, French, German, and American origin found in North American archaeological sites. Consisting of nearly 350 marks from 112 different manufacturers from the mid-19th through early 20th century, this catalog provides full information on the history of a mark and its variants, as well as details about the manufacturer. The indexes allow for searches by city, country/state, graphic element, mark type, word, and maker.
Historical Racialized Toys in the United States
This book explores the history of children’s toys and games bearing racial stereotypes, and the role these objects played in the creation and maintenance of structures of racialism and racism in the United States, from approximately 1865 to the 1930s. This time period is one in which the creation of structures of childhood and children’s socialization into race was fostered. Additionally, commodities, like toys, were didactic and disciplinary media in the creation, modification and reproduction of Victorian society. This volume: will shed light on issues of identity, ideology, and hegemony; will appeal to those interested in historical archaeology, critical theory, and constructions of racism and class, as well as material culture scholars, and antiques collectors; will be suitable for upper-level courses in historical archaeology, modern American history, and material culture studies.
Coffin Hardware in Nineteenth-century America
Using data from archaeological excavations, patent filings, and marketing catalogs, this book provides a broad view of the introduction, spread, and use of mass-produced coffin hardware in North America. At the book's heart is a standardized typology of coffin hardware that recognizes stylistic and functional changes and a fresh look at the meanings and uses of the various motifs and decorative elements. Within the discussion of mass-produced coffin hardware in North America is new work connecting the North American industry with its British antecedents and a fresh analysis of the prime factors that led to the introduction and spread of mass-produced coffin hardware. Extensively illustrated with examples of coffin hardware to aid scholars and professionals in identification.
Chinese Export Porcelains
The blue and white porcelain exported by China in the eighteenth and early nineteenth centuries is an important category of artifacts and antiques, a fashion-sensitive commodity that was affected by the ebbs and flows of style and consumer demand. In this copiously illustrated, comprehensive guide to Chinese export porcelain, Andrew Madsen offers both a broad overview and detailed identification and context information for the most common styles and motifs. His focus on the determination of manufacture dates, which are based primarily on data collected from armorial decorated export wares, porcelain cargoes from dated shipwrecks, and tightly dated archaeological contexts, will allow students, scholars, and collectors to refine associations with Chinese export porcelain, revealing the untapped quantity of information that mass-produced Chinese export porcelain has to offer.
