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Picturing Identity
In this book, Hertha D. Sweet Wong examines the intersection of writing and visual art in the autobiographical work of twentieth- and twenty-first-century American writers and artists who employ a mix of written and visual forms of self-narration. Combining approaches from autobiography studies and visual studies, Wong argues that, in grappling with the breakdown of stable definitions of identity and unmediated representation, these writers-artists experiment with hybrid autobiography in image and text to break free of inherited visual-verbal regimes and revise painful histories. These works provide an interart focus for examining the possibilities of self-representation and self-narration, the boundaries of life writing, and the relationship between image and text. Wong considers eight writers-artists, including comic-book author Art Spiegelman; Faith Ringgold, known for her story quilts; and celebrated Indigenous writer Leslie Marmon Silko. Wong shows how her subjects formulate webs of intersubjectivity shaped by historical trauma, geography, race, and gender as they envision new possibilities of selfhood and fresh modes of self-narration in word and image.
Sending My Heart Back Across the Years
Using contemporary autobiography theory, and literary and anthropological approaches, Wong traces the development of Native American autobiography from pre-literate oral, artistic, and dramatic personal narratives through late nineteenth and early twentieth-century life histories to contemporary autobiographies.
Picturing Identity
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Louise Erdrich's Love Medicine
This is a casebook on Louise Erdrich's first novel, Love Medicine, which came out in 1984 to instant national acclaim, winning a National Book Circle Critics Award and launching a tetralogy which it would take Erdrich ten years to complete.
I Remain Alive
In I Remain Alive, Ruth J. Heflin explores the literary endeavors of five of the most prominent Native American writers from the turn of the century-Charles Eastman, Gertrude Bonnin, Luther Standing Bear, Nicholas Black Elk, and Ella Deloria-and challenges the traditional view of Native American literature. It is widely accepted that the Native American Literary Renaissance began in 1968 with N. Scott Momaday's House Made of Dawn. With this book, however, Heflin shows that the Sioux embarked on their own literary renaissance beginning in 1890 with the articles of Eastman, soon after the battle of Wounded Knee. The Sioux nation produced more booklength manuscripts in this period between Wound...
Reckonings
The fifteen Native women writers in Reckonings document transgenerational trauma, yet they also celebrate survival. Their stories are vital testaments of our times. Unlike most anthologies that present a single story from many writers, this volume offers a sampling of two to three stories by a select number of both famous and lesser known Native women writers in what is now the United States. Here you will find much-loved stories, many made easily accessible for the first time, and vibrant new stories by well-known contemporary Native American writers as well as fresh emergent voices. These stories share an understanding of Native women's lives in their various modes of loss and struggle, resistance and acceptance, and rage and compassion, ultimately highlighting the individual and collective will to endure against all odds. Reckonings features short stories by: Paula Gunn Allen, Kimberly M. Blaeser, Beth E. Brant, Anita Endrezze, Louise Erdrich, Diane Glancy, Reid Gómez, Janet Campbell Hale, Joy Harjo, Linda Hogan, Misha Nogha, Beth H. Piatote, Patricia Riley, Leslie Marmon Silko, and Anna Lee Walters.
Native and Christian
Native and Christian is an anthology of essays by indigenous writers in the United States and Canada on the problem of native Christian identity. This anthology documents the emergence of a significant new collective voice on the North American religious landscape. It brings together in one volume articles originally published in a variety of sources (many of them obscure or out-of-print) including religious magazines, scholarly journals, and native periodicals, along with one previously unpublished manuscript.
Biography
Catherine Parke explores biography through detailed examinations of Samuel Johnson, Virginia Woolf, Langston Hughes, Gertrude Stein and other masters of the genre.
The Native American Renaissance
The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination...
The Life of Elaine Goodale Eastman
Raised in a sheltered, puritanical household in New England, Elaine Goodale Eastman (1863?1953) followed her conscience and calling in 1885 when she traveled west and opened a school on the Great Sioux Reservation in South Dakota. Over the next six years she witnessed many of the monumental events that affected the Lakotas, including the inception of the Ghost Dance religion and the fallout from the Wounded Knee massacre in December 1890. She also fell in love with and married Charles Eastman, a Dakota doctor with whom she had six children, and went on to help edit his many popular books on Sioux life and culture. ø This biography draws on a newly discovered cache of more than one hundred l...
