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A bold re-examination of the religious and political history of Ottonian Germany through its musical and liturgical books.
In 1507 Martin Waldseemuller created a remarkable Early Modern world map loaded with religious symbols. The cartographer depicted the papal keys, which according to the map's companion text, the Cosmographiae Introductio, enclosed almost the whole of Europe for the Western Church. However, beyond the boundaries of Europe's Christendom, the map pictured Nestorian churches in China and the legendary Christian ruler Prester John in India. His subsequent Carta marina (1516) amplified the descriptions of these religious traditions. Waldseemuller's maps, like almost every other world map of the era, featured legends of Christian communities positioned outside of Christendom. Christianity Beyond Ch...
With 1750 titles produced before the 18th century the Erasmus prints form an important group in the holdings of the Herzog August library. The collection represents the entire range of the writings of Erasmus. The existing number of copies of prints also reflect the popularity and the literary interest of the scholarly readers of the 16th and 17th Centuries in Erasmus. The VD 16 registers the Erasmus prints published in the 16th century in the German language area and provides their locations. At the same time the catalog also provides descriptions of the individual items, drawing attention to historically interesting covers, notes of previous owners, donations, marginalia and additions of handwritten materials.
Between 1500 and 1800, the rapid evolution of postal communication allowed ordinary men and women to scatter letters across Europe like never before. This exchange helped knit together what contemporaries called the ‘respublica litteraria’, a knowledge-based civil society, crucial to that era’s intellectual breakthroughs, formative of many modern values and institutions, and a potential cornerstone of a transnational level of European identity. Ironically, the exchange of letters which created this community also dispersed the documentation required to study it, posing enormous difficulties for historians of the subject ever since. To reassemble that scattered material and chart the hi...
Though the field of book history has long been divided into discrete national histories, books have seldom been as respectful of national borders as the historians who study them—least of all in the age of Enlightenment when French books reached readers throughout Europe. In this erudite and engagingly written study, Jeffrey Freedman examines one of the most important axes of the transnational book trade in Enlightenment Europe: the circulation of French books between France and the German-speaking lands. Focusing on the critical role of book dealers as cultural intermediaries, he follows French books through each stage of their journey—from the French-language printing shops where they ...
This volume honors the work of a scholar who has been active in the field of early modern history for over four decades. In that time, Susan Karant-Nunn’s work challenged established orthodoxies, pushed the envelope of historical genres, and opened up new avenues of research and understanding, which came to define the contours of the field itself. Like this rich career, the chapters in this volume cover a broad range of historical genres from social, cultural and art history, to the history of gender, masculinity, and emotion, and range geographically from the Holy Roman Empire, France, and the Netherlands, to Geneva and Austria. Based on a vast array of archival and secondary sources, the contributions open up new horizons of research and commentary on all aspects of early modern life. Contributors: James Blakeley, Robert J. Christman, Victoria Christman, Amy Nelson Burnett, Pia Cuneo, Ute Lotz-Heumann, Amy Newhouse, Marjorie Elizabeth Plummer, Helmut Puff, Lyndal Roper, Karen E. Spierling, James D. Tracy, Mara R. Wade, David Whitford, and Charles Zika.
Although studies of specific time concepts, expressed in Renaissance philosophy and literature, have not been lacking, few art-historians have endeavored to meet the challenge in the visual arts. This book presents a multifaceted picture of the dynamic concepts of time and temporality in medieval and Renaissance art, adopted in speculative, ecclesiastical, socio-political, propagandist, moralistic, and poetic contexts. It has been assumed that time was conceived in a different way by those living in the Renaissance as compared to their medieval predecessors. Changing perceptions of time, an increasingly secular approach, the sense of self-determination rooted in the practical use and control of time, and the perception of time as a threat to human existence and achievements are demonstrated through artistic media. Chapters dealing with time in classical and medieval philosophy and art are followed by studies that focus on innovative aspects of Renaissance iconography.