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The Late Victorian Gothic
Examining the automatic writing of the spiritualist séances, discursive technologies like the telegraph and the photograph, various genres and late nineteenth-century mental science, this book shows the failure of writers' attempts to use technology as a way of translating the supernatural at the fin de siècle. Hilary Grimes shows that both new technology and explorations into the ghostly aspects of the mind made agency problematic. When notions of agency are suspended, Grimes argues, authorship itself becomes uncanny. Grimes's study is distinct in both recognizing and crossing strict boundaries to suggest that Gothic literature itself resists categorization, not only between literary peri...
The Late Victorian Gothic
Examining the automatic writing of the spiritualist séances, discursive technologies like the telegraph and the photograph, various genres and late nineteenth-century mental science, this book shows the failure of writers' attempts to use technology as a way of translating the supernatural at the fin de siècle. Hilary Grimes shows that both new technology and explorations into the ghostly aspects of the mind made agency problematic. When notions of agency are suspended, Grimes argues, authorship itself becomes uncanny. Grimes's study is distinct in both recognizing and crossing strict boundaries to suggest that Gothic literature itself resists categorization, not only between literary peri...
Women's Ghost Literature in Nineteenth-Century Britain
Women's Ghost Literature in Nineteenth-Century Britain examines the Female Gothic genre and how it expanded to include not only gender concerns but also social critiques of repressed sexuality, economics and imperialism.
The Routledge Research Companion to Nineteenth-Century British Literature and Science
Tracing the continuities and trends in the complex relationship between literature and science in the long nineteenth century, this companion provides scholars with a comprehensive, authoritative and up-to-date foundation for research in this field. In intellectual, material and social terms, the transformation undergone by Western culture over the period was unprecedented. Many of these changes were grounded in the growth of science. Yet science was not a cultural monolith then any more than it is now, and its development was shaped by competing world views. To cover the full range of literary engagements with science in the nineteenth century, this companion consists of twenty-seven chapters by experts in the field, which explore crucial social and intellectual contexts for the interactions between literature and science, how science affected different genres of writing, and the importance of individual scientific disciplines and concepts within literary culture. Each chapter has its own extensive bibliography. The volume as a whole is rounded out with a synoptic introduction by the editors and an afterword by the eminent historian of nineteenth-century science Bernard Lightman.
Scientific and Medical Knowledge Production, 1796-1918
This volume is divided according to moral themes within medicine and science. The sources represent dominant notes within the culture of knowledge production that capture the moral/emotional/social justification for the making of expertise through experiment. This volume focuses on curiosity, given as the scientist’s chief motivating factor for the finding of new facts, and as an essential character trait for anyone entering the scientific life. It is also the source of controversy and criticism, since curiosity alone increasingly looked amoral at best and immoral at worst, as the nineteenth century wore on.
The Literary Imagination from Erasmus Darwin to H.G. Wells
At the close of the eighteenth century, Erasmus Darwin declared that he would 'enlist the imagination under the banner of science,' beginning, Michael Page argues, a literary narrative on questions of evolution, ecology, and technological progress that would extend from the Romantic through the Victorian periods. Examining the interchange between emerging scientific ideas-specifically evolution and ecology-new technologies, and literature in nineteenth-century Britain, Page shows how British writers from Darwin to H.G. Wells confronted the burgeoning expansion of scientific knowledge that was radically redefining human understanding and experience of the natural world, of human species, and ...
Sustainable Development Law in the UK
Sustainable development is now widely accepted as a political objective in the UK and elsewhere but to what extent has the UK’s rhetoric on sustainable development become a reality? The aim of this book is to critically examine the UK’s approach to promoting and delivering sustainable development. It begins by providing a detailed account of UK law on sustainable development by reviewing the various policy, institutional and legal mechanisms used by the UK since the 1980s and by devolved administrations since devolution took effect in 1999. Progress has been slow, too slow and, according to the scientists, time is running out. To deal with this lack of progress, the book advocates increa...
Channel Islands' Military Heritage
Highly illustrated look at the military heritage of the Channel Islands from Viking invaders to the present day.
Second Sight in the Nineteenth Century
This book explores the phenomenon of second sight in nineteenth-century literature and culture. Second sight is a form of prophetic vision associated with the folklore of the Scottish Highlands and Islands. Described in Gaelic as the An-da-shealladh or ‘the two sights’, those in possession of this extraordinary power are said to foresee future events like the death of neighbour, the arrival of strangers into the community, the success or failure of a fishing trip. From the late seventeenth century onwards, rumours of this strange faculty attracted the attention of numerous scientists, travel writers, antiquarians, poets and artists. Focusing on the nineteenth century, this book examines second sight in relation to mesmerism and phrenology, modern spiritualism and anthropology, romance literature and folklorism and finally, psychical research and Celtic mysticism. Tracing the migration of a supposedly ‘Scottish’ tradition through various sites of nineteenth-century popular culture, it explores questions of nationhood and identity alongside those posed by supernatural phenomena.
