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Shadows of the Night
A collection of three crime novels by Brian L. Porter, now available in one volume! Avenue Of The Dead: In the ruins of Teotihuacan, an ancient city cloaked in mystery, a serial killer is on the loose. Haunted by his brother's tragic death, Detective Captain Juan Morales seeks solace in a supposed vacation, only to be thrust into a twisted web of murder and darkness. After more bodies are found, Morales crosses paths with the captivating archaeologist, Sophia Kanakarides, whose knowledge holds the key to unlocking the truth. Together, they plunge into the heart of danger, risking everything to unveil the secrets hidden within the blood-stained streets, where every step draws them closer to a...
The Silents Go to War
In this book, readers can experience the tumultuous era of silent First World War propaganda films that helped shape U.S. opinion of the dreaded "Huns." From pro-preparedness films pacifist films, "horrible Hun" films, "kill-the-kaiser" films, and outrageous comedies to thought-provoking war trauma films and patriotic documentaries, readers can survey America's cinematic view of "the war to end all wars." Featured is comprehensive discussion of these films, including synopses, casts, back stories, and critical reviews and notes. Here are unusual tales and extraordinary plots with serpentine Germans (Erich von Stroheim throwing a baby out of a window in 1918's The Heart of Humanity), noble French girls sacrificing their honor for the allied cause (Clara Kimball Young in 1918's The Road Through the Dark), and singular Yanks (Bothwell Browne as a cross-dressing American flyer seducing the kaiser and his high command in 1919's Yankee Doodle in Berlin).
Hellman in Hollywood
Though Hellman is best known for her work in theater and for her memoirs, much of her work has been adapted for movies. She was deeply involved in writing film scripts and adapting the work of others to the screen. Dick tells the history of Hellman's contributions to American film as a playwright, screenwriter and adapter and analyses each play and its corresponding film to determine whether the adaptation achieves as a film what the original achieved as literature. ISBN 0-8386-3140-1.
Autobiography of Mark Twain, Volume 1
"I've struck it!" Mark Twain wrote in a 1904 letter to a friend. "And I will give it away—to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography." Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "Final (and Right) Plan" for telling the story of his life. His innovative notion—to "talk only about the thing which interests you for the moment"—meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "dead, and unaware, and indifferent," and that he was therefore free to speak his "whole frank mind...
The New Cambridge Bibliography of English Literature: Volume 4, 1900-1950
More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
The Dark Angel
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Mark Twain's Literary Resources
Dr. Alan Gribben, a foremost Twain scholar, made waves in 1980 with the publication of Mark Twain's Library, a study that exposed for the first time the breadth of Twain's reading and influences. Prior to Gribben's work, much of Twain's reading history was assumed lost, but through dogged searching Gribben was able to source much of Twain's library. Mark Twain's Literary Resources is a much-expanded examination of Twain's library and readings. Volume I included Gribben's reflections on the work involved in cataloging Twain's reading and analysis of Twain's influences and opinions. This volume, long awaited, is an in-depth and comprehensive accounting of Twain's literary history. Each work read or owned by Twain is listed, along with information pertaining to editions, locations, and more. Gribben also includes scholarly annotations that explain the significance of many works, making this volume of Mark Twain's Literary Resources one of the most important additions to our understanding of America's greatest author.
Pestilence
Breathe... if you dare. English countryside, 1958. The idyllic village of Olney St. Mary has stood in its peaceful location for over 900 years. Until one day, when two teenage boys are struck by a mysterious illness. The newly arrived Doctor Hilary Newton suspects a common flu to be the cause of their malady. Before long, the doctor and residents of Olney St. Mary are plunged into a nightmare, as the disease ravages the local population. Despite the doctors employing the latest medicine available, the death toll keeps rising. Someone in the village knows the reason behind the pestilence that has struck at the heart of the village, but can the medics learn the truth before it's too late, or will they join the growing list of names that appear on the death roll in Olney St. Mary?
Visions of Yesterday
Film is an important source of social history, as well as having been a popular art form from the early twentieth century. This study shows how a society, consciously or unconsciously, is mirrored in its cinema. It considers the role of the cinema in dramatizing popular beliefs and myths, and takes three case studies – American populism, British imperialism, German Nazism – to explain how a nation’s pressures, tensions and hopes come through in its films. Examining the American cinema is accomplished by analysing the careers of three great directors, John Ford, Frank Capra and Leo McCarey, while the British and German cinemas are studied by theme. The analysis of the British Empire as ...
