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A half century of Romance linguistics: Selected proceedings of the 50th Linguistic Symposium on Romance Languages
The present volume presents a selection of the revised and peer-reviewed proceedings articles of the 50th Linguistic Symposium on Romance Languages (LSRL 50) which was hosted virtually by the faculty and students from the University of Texas at Austin. With contributions from rising and senior scholars from Europe and the Americas, the volume demonstrates the breadth of research in contemporary Romance linguistics with articles that apply corpus-based and laboratory methods, as well as theory, to explore the structure, use, and development of the Romance languages. The articles cover a wide range of fields including morphosyntax, semantics, language variation and change, sociophonetics, historical linguistics, language acquisition, and computational linguistics. In an introductory article, the editors document the sudden transition of LSRL 50 to a virtual format and acknowledge those who helped them to ensure the continuity of this annual scholarly meeting.
Reading Barbara Pym
Reading Barbara Pym stakes out new territory in Pym criticism byquestioning the assumptions and predispositions by which her novelshave been received and judged. Early in Pym's career, reviews of hernovels likened her books in relaxed fashion to delicious tastes andsmells. Later (when mention of her twice in a TLS survey as one of thecentury's ten most underrated novelists secured and altered her criticalreception), and since her death in 1980, commentary in oppositelyvigilant fashion discovered in Pym's novels academic themes andgender/political issues ripe for exploration. But the traditional concernsof academic and popular criticism have sidestepped the morechallenging task of locating the power and quality of Pym's narrative, the reasons her novels are important to read personally as well asstudy academically
The Reality behind Barbara Pym's Excellent Women
This book analyses Barbara Pym’s published and unpublished work through a new image, that of the troublesome woman. It details the political nature of her work, highlighting her feminist ideas which are hidden in village-like settings and revealed by troublesome women. By exploring Pym’s written work, published, and unpublished, diaries and notebooks, the book shows that this material gives credence to Hilary Pym’s interpretation of her sister as a complex person.
The Pleasure of Miss Pym
When British writers Philip Larkin and Lord David Cecil named Barbara Pym one of the twentieth century's most underrated authors in a 1977 Times Literary Supplement survey, they started a Barbara Pym revival that continued unabated in Great Britain and the United States. Barbara Pym's delightful tales of jumble sales and parish meetings, her ironic insights into the relationships between women and men, have won a devoted following. Indeed she is often compared to that most accomplished author of comedies of manners, Jane Austen. The Pleasure of Miss Pym is a critical study of Pym as comic writer and of the links between her life and autobiographical writings and her fiction, written with a l...
No Soft Incense
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The Testing of Barbara Pym
The Testing of Barbara Pym, a companion volume to The Making of Barbara Pym (Palgrave Macmillan, 2021), completes a comprehensive analysis of Pym’s novels and her life, focusing on her complex view of the necessity of change at both the individual and cultural levels. Newly published archival material supports this treatment of Pym’s vision of a changing world – a vision premised upon the principle of continuity, a linking together of past, present, and future. In her novels published from 1955-1980, beginning with Britain’s emergence from post-war austerity, Pym portrays, in an optimistic fashion, several changing aspects of British culture: expansion of the suburbs, acceptance of h...
A Very Private Eye
‘Barbara Pym is one of my most favourite novelists. Few other writers have given me more laughter and more pleasure.' Jilly Cooper ‘Could one write a book based on one’s diaries over thirty years? I certainly have enough material,’ wrote Barbara Pym. This book, selected from the diaries, notebooks and letters of this much loved novelist to form a continuous narrative, is indeed a unique autobiography, providing a privileged insight into a writer’s mind. Philip Larkin wrote that Barbara Pym had ‘a unique eye and ear for the small poignancies of everyday life’. Her autobiography amply demonstrates this, as it traces her life from exuberant times at Oxford in the thirties, through the war when, scarred by an unhappy love affair, she joined the WRNS, to the published novelist of the fifties. It also deals with the long period when her novels were out of fashion and no one would publish them, her rediscovering in 1977, and the triumphant success of her last few years. It is now possible to describe a place, situation or person as ‘very Barbara Pym’. A Very Private Eye, at once funny and moving, shows the variety and depth of her own story.
