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In fifteenth- and sixteenth-century Italy, many leading citizens constructed and furnished distinctive studies for themselves. The study was an individually designed room for private and social use - as an office, library, a family archive or treasury, as the nucleus of an art collection, or as a space for contemplation. This book is an account of the Renaissance Italian study and its contents. Illustrated with depictions of studies and the precious and unusual objects they contained, the book examines the significance of the study to its owner and visitors, its structure and location, and the prized possessions that might fill such a special room.
Offers a unique comparative exploration of the role of tradition in Islam and Christianity. The idea of 'tradition' has enjoyed a variety of senses and definitions in Islam and Christianity, but both have cleaved at certain times to a supposedly 'golden age' of tradition from the past. The author suggests there has been a chain of thinkers from classical Islam to the twentieth century who share a common interest in ijtihad (or independent thinking). Drawing on past and present evidence, and using Christian tradition as a focus for contrast and comparison, the author highlights the seemingly paradoxical harmony between tradition and itjihad in Islam.The author draws on a variety of primary and secondary sources including contemporary newspaper and journal
First published in 1993. The first modern study of the medium, this book considers stained glass in relation to architecture and other arts, and by examining contemporary documents, it throws valuable light on workshop organisation, prices and patronage.
This prize-winning account of the pre-Reformation church recreates lay people's experience of religion, showing that late-medieval Catholicism was neither decadent nor decayed, but a strong and vigorous tradition. For this edition, Duffy has written a new introduction reflecting on recent developments in our understanding of the period. "A mighty and momentous book: a book to be read and re-read, pondered and revered; a subtle, profound book written with passion and eloquence, and with masterly control."--J. J. Scarisbrick, The Tablet "Revisionist history at its most imaginative and exciting. . . . [An] astonishing and magnificent piece of work."--Edward T. Oakes, Commonweal "A magnificent scholarly achievement, a compelling read, and not a page too long to defend a thesis which will provoke passionate debate."--Patricia Morison, Financial Times "Deeply imaginative, movingly written, and splendidly illustrated."--Maurice Keen, New York Review of Books Winner of the Longman-History Today Book of the Year Award
On September 29, 1970, President Gamal Abdel Nasser died of a heart attack. The hysterical outpouring of grief at the state funeral dramatized the depth to which the loss of this charismatic leader shook the Arab world. Few men have achieved the love, prestige, and adulation that Nasser received from the Arab masses. Yet, in reality, Nasser’s political life was a tragic story. This book is a careful analysis of Nasser’s belated attempts to modernize the rural areas of Egypt. It documents the political, economic, and social factors that made Nasser’s dream for his people unattainable in his lifetime. Forced to choose between domestic needs and international challenges, Nasser’s attent...
This is one of the first books in English to explore Arab responses to Western culture and values in modern Arab literature. Through in-depth research El-Enany examines the attitudes as expressed mainly through works of fiction written by Arab authors during the twentieth, and, to a lesser extent, nineteenth century. It constitutes an original addition to the age-old East-West debate, and is particularly relevant to the current discussion on Islam and the West. Alongside raising highly topical questions about stereotypical ideas concerning Arabs and Muslims in general, the book explores representations of the West by the foremost Arab intellectuals over a two-century period, up to the present day, and will appeal to those with an interest in Islam, the Middle East, nationalism and the so-called ‘Clash of Civilizations’.
What did Tallis and Byrd mean to convey by their use of the word "argument" in their title, Cantiones, quae ab argumento sacrae vocantur? Thomas Tallis's and William Byrd's Cantiones, quae ab argumento sacrae vocantur (songs, which by their argument are called sacred) of 1575 is one of the first sets of sacred music printed in England. It is widely recognized as a landmark achievement in English music history. Dedicated to Queen Elizabeth I to mark the seventeenth year of her reign, each composer contributed seventeen motets to the collection, which proved to be greatly influential among the era's composers. But what did Tallis and Byrd mean to convey by their use of the word "argument" in t...
Making these never-before-seen reflections available to all readers, the diary of Sami Amr bridges significant chasms in our understanding of Middle East history."--BOOK JACKET.
The field of Middle East studies is undergoing a generational change in academia, government, and the corporate community. The men and women who trained the present generation of scholars and who shaped government and corporate policies toward the Middle East after World War II have begun to retire, and unfortunately some have recently died.
The author, analyzing major social groups in this area, treats particularly the "new middle class," a group socially isolated from the traditional life of Islam and committed to a wide-ranging modernizing impulse. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.