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The Age of the Avant-Garde
Hilton Kramer, well known as perhaps the most perceptive, courageous, and influential art critic in America, is also the founder and co-editor (with Roger Kimball) of The New Criterion. This comprehensive book collects a sizable selection of his early essays and reviews published in Artforum, Commentary, Arts Magazine, The New York Review of Books, and The Times, and thus constituted his first complete statement about art and the art world. The principal focus is on the artists and movements of the last hundred years: the Age of the Avant-Garde that begins in the nineteenth century with Realism and Impressionism. Most of the major artists of this rich period, from Monet and Degas to Jackson ...
A Better World
This book chronicles the struggle among non-Communist leftists and liberals over American relations with the Soviet Union from 1939 through the 1950's. Few now care as passionately and as violently as people did then about Soviet-American relations. It was a time when friends became enemies, and others forged strange alliances, all in the name of commitments that today seem remote. A Better World evokes those times and their choices, and explains why these long-ago battles still arouse such deep feelings todayâand should. Americans who were pro-Soviet without being members of the Communist partyââprogressivesâ as t hey called themselvesâhad a large emotional investme...
The New Criterion Reader
Gathers essays about modernism, Marxist criticism art patronage, Wallace Stevens, Picasso, Aaron Copland, Michel Foucault, Barbara Pym, Richard Serra, and Cindy Sherman.
Visual Rhetoric
Visual images, artifacts, and performances play a powerful part in shaping U.S. culture. To understand the dynamics of public persuasion, students must understand this "visual rhetoric." This rich anthology contains 20 exemplary studies of visual rhetoric, exploring an array of visual communication forms, from photographs, prints, television documentary, and film to stamps, advertisements, and tattoos. In material original to this volume, editors Lester C. Olson, Cara A. Finnegan, and Diane S. Hope present a critical perspective that links visuality and rhetoric, locates the study of visual rhetoric within the disciplinary framework of communication, and explores the role of the visual in th...
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The Postmodernist Turn
During the 1970s, the United States became the world's preeminent postindustrial society. The new conditions changed the way Americans lived and worked, and even their perceptions of reality. Americans struggled to find their place in a world where symbol became more important than fact, appearance more important than reality, where image supplanted essence. In this reassessment of a little studied decade, J. David Hoeveler, Jr., finds that the sense of detachment and dislocation that characterizes the postindustrial society serves as a paradigm for American thought and culture in the 1970s. The book examines major developments in literary theory, philosophy, architecture, and painting as expressions of a 1970s consciousness. Hoeveler also explores the rival "political" readings of these subjects and considers the postmodernist phenomenon as it became an ideological battleground in the decade. Clear and engaging, the work will be of great interest to historians, theorists, and everyone who wants to further explore the 1970s.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Pity is Not Enough
"I'd rather fail in story writing than succeed in anything else," Josephine Herbst declared in 1913. The Iowa native's Trexler family trilogy, with Pity Is Not Enough as its first volume, shows clearly that Herbst in fact succeeded at storytelling. The book draws loosely on Herbst's family history, using Reconstruction's demise in Georgia to link the advance of free market capitalism to the North's abandonment of its commitment to racial justice. The protagonists-Catherine Trexler and her brother Joe, a carpetbagger embroiled in railroad scandals-are ripped apart financially and psychologically by competing codes of domesticity, Southern manners, and capitalism. In her introduction to the bo...
Revenge of the Philistines
Analyzes the works of a variety of modern artists including Edward Hopper, Louise Nevelson, Chuck Close, and Julian Schnabel.
The Jewish Idea and Its Enemies
This volume deals with the modern fate of the traditional conception of Jews as a covenanted people chosen to receive the Law, whose ultimate purpose is contributing to the universal salvation of mankind. The author shows how, under the influence of liberalism, rationalism, relativism, and other Enlightenment ideologies, this idea was distorted, denied, inverted, yet never entirely obliterated. In his discussions of modern Jewish thinkers and writers and the ideological and political struggles of Zionism and the state of Israel against enemies from without and from within, Alexander shows that the ancient idea of covenant is still alive today, if only in the assumption that Jewish life can lead somewhere so long as Jews remember that it began somewhere. Ranging from literary criticism and the history of ideas to journalism and politics, the book is unified by a point of view unabashedly espousing the Jewish idea and challenging its enemies.
