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Himafisi Magazine Vol. 1
Sadar bahwa sebuah himpunan organisasi mempunyai tanggung jawab atas apa yang dilaksanakan selama masa jabatannya, Himafisi mencoba membuat lembar pertanggung jawaban yang bisa dibaca dan diawasi khalayak ramai, namun dalam format yang berbeda. Melalui Himafisi Magazine Vol 1, Harapan tim Litbang Himafisi sederhana. Baik Anggota atau khalayak ramai mengetahui apa yang Himafisi sudah lakukan dalam masa jabatan kepengurusan baru yang sudah berjalan satu semester ini. Dengan ragam program kerja yang ber-improvisasi dikarenakan pandemi dan juga beberapa hal lain yang menjadi acuan Himafisi untuk terus berbenah dan mencari saran serta kritikan agar Himafisi dapat jauh lebih baik dari sebelumnya.
Kenji Mizoguchi and the Art of Japanese Cinema
Kenji Mizoguchi is one of the three acclaimed masters--together with Yasujiro Ozu and Akira Kurosawa--of Japanese cinema. Ten years in the making, Kenji Mizoguchi and the Art of Japanese Cinema is the definitive guide to the life and work of one of the greatest film-makers of the 20th century. Born at the end of the 19th Century into a wealthy family, Mizoguchi's early life influenced the themes he would take up in his work. His father's ambitious business ventures failed and the family fell into poverty. His mother died and his beloved sister was sold into a geisha house. Her earnings paid for Mizoguchi's education. Weak and deluded men, and strong, self-sacrificing women--these were to bec...
Asian Film Journeys
For lovers of Asian cinema and for those simply curious to know its trends and moods, experiments and innovations since it strode the world stage with assurance in the mid- 80s, Asian Film Journeys is a feast. It presents a selection of articles that appeared in the pages of Cinemaya, The Asian Film Quarterly between 1988 and 2004, articles that closely tracked the bold new film narrative of both the well-known and the lesser-known cinemas as it unfolded. The Quarterly remained, for fifteen years, the one and only serious yet lively platform for writing on the cinemas of Asian countries. Given that the writers were mostly Asian-apart from some keen and long-standing followers of Asian cinema from the West-the magazine offered, for the first time, a truly authentic point of view, a look at films from within their cultures. The book gives a bird’s eye view of the style and substance, art and craft of these cinemas and captures some of the Asian air it let in!
