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Recorded in sacred Sanskrit texts, including the Rig Veda and the Mahabharata, Hindu Myths are thought to date back as far as the tenth century BCE. Here in these seventy-five seminal myths are the many incarnations of Vishnu, who saves mankind from destruction, and the mischievous child Krishna, alongside stories of the minor gods, demons, rivers and animals including boars, buffalo, serpents and monkeys. Immensely varied and bursting with colour and life, they demonstrate the Hindu belief in the limitless possibilities of the world - from the teeming miracles of creation to the origins of the incarnation of Death who eventually touches them all.
In course of his studies in Sanskrit literature and research relating to various aspects of it, the author of the present work often felt the need of a vade mecum containing brief accounts of authors and works, information about the principal characters of Sanskrit plays, poems and prose works, the meaning of certain technical terms in common use, the common geographical names and the notable myths and legends. A Companion to Sanskrit Literature, the first work of its kind, covers a period of nearly 3500 years from the Vedic age down to the modern times. It seeks to acquaint the reader, within a brief compass, with the contents of outstanding works and authors in Sanskrit literature, followe...
This beautiful collection brings together passages from the renowned stories, poems, dramas and myths of South Asian literature, including the Mahābhārata and the Rāmāyaṇa. Drawing on the translations published by the Clay Sanskrit Library, the book presents episodes from the adventures of young Krishna, the life of Prince Rāma and Hindu foundational myths, the life of the Buddha, as well as Buddhist and Jaina birth stories.Pairing key excerpts from these wonderful Sanskrit texts with exquisite illustrations from the Bodleian Library's rich manuscript collections, the book includes images of birch-bark and palm-leaf manuscripts, vibrant Mughal miniatures, early printed books, sculptur...
Among all the ancient literatures, that of India is... undoubtedly in intrinsic value and aesthetic merit second only to that of Greece.-from the IntroductionIt is the oldest recognized language on the planet-indeed, Sanskrit was considered the language of the gods by ancient Indians. This is perhaps the first truly accessible volume ever published on the literature of the grand philosophers and poets of ancient India, and its power and importance has not diminished since it first appeared in 1900.This compact yet comprehensive overview of Sanskrit works covers the Rigveda, the Sutras, the epics, lyric poetry, drama, fairy tales & fables, and more.With profound insights into the mindsets of ancient and medieval India, this important volume will please students of history, world literature, and comparative linguistics.British scholar ARTHUR A. MACDONELL (1854-1930) was Boden Professor of Sanskrit at Oxford University. He is also the author of A Vedic Reader for Students, Sanskrit Grammar for Students, and India's Past: A Survey of Her Literatures, Religions, Languages and Antiquities.
The Mahapuranas embody the received tradition of Hindu mythology. This anthology contains fresh translations of these myths, only a few of which have ever been available in English before, thus providing a rich new portion of Hindu mythology. The book is organized into six chapters. "Origins" contains myths relating to creation, time, and space. "Seers, Kings and Supernaturals" relates tales of rivers, trees, animals, demons, and men, particularly heroes and sages. Myths about the chief gods are dealt with in three separate chapters: Krsna, Visnu, and Siva. The chapter The Goddess presents stories of the wives and lovers of the gods, as well as of Kali, the savage battle goddess. In their introductions, the editors provide a historical setting in which to discuss Hindu mythology as well as a full analysis of its basic sources. The many names are given the original. The editors have provided a thorough glossary to make these names accessible.
God of Desire presents Sanskrit tales of the Indian deity Kāmadeva as he battles the ascetic god Śiva, assists the powerful goddess Devī, and incarnates as the charming son of Kṛṣṇa. Exploring the imagery and symbolism of the god of desire in art and ritual, Catherine Benton reflects on the connection of Kāmadeva to parrots, makaras (gharials), and apsarases (celestial nymphs), and to playful devotional rituals designed to win his favor. In addition to examining the Hindu literature, Benton also highlights two Buddhist forms of Kamadeva, the demonic Māra, who tries to persuade the Buddha to trade enlightenment for the delights of a woman, and the ever-youthful Mañjuśri, who cuts through ignorance with the bodhisattva sword of wisdom. Tales of Kāmadeva from the Hindu and Buddhist traditions present desire as a powerful force continually redefining the boundaries of chaos and order and gently pulling beyond the ephemeral lure of passionate longings.
The Bagavad Gita is a conversation between Lord Krishna and the Pandava prince Arjuna taking place on the battlefield before the start of the Kurukshetra War. Responding to Arjuna's confusion and moral dilemma about fighting his own cousins, Lord Krishna explains to Arjuna his duties as a warrior and prince, and elaborates on different Yogic and Vedantic philosophies, with examples and analogies. This has led to the Gita often being described as a concise guide to Hindu theology and also as a practical, self-contained guide to life. During the discourse, Lord Krishna reveals His identity as the Supreme Being Himself (Svayam Bhagavan), blessing Arjuna with an awe-inspiring vision of His divin...