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Historicizing Theories, Identities, and Nations
The Histories of Anthropology Annual presents diverse perspectives on the discipline’s history within a global context, with a goal of increasing awareness and use of historical approaches in teaching, learning, and conducting anthropology. The series includes critical, comparative, analytical, and narrative studies involving all aspects and subfields of anthropology. Volume 11, Historicizing Theories, Identities, and Nations, examines the work and influence of scholars, including Franz Boas, Ruth Benedict, John Dewey, Randolph Bourne, A. Irving Hallowell, and Edward Westermarck, and anthropological practices and theories in Vietnam and Ukraine as well as the United States. Contributions also focus on the influence of Western thought and practice on anthropological traditions, as well as issues of relativism, physical anthropology, language, epistemology, ethnography, and social synergy.
The Idea of Galicia
Galicia was created at the first partition of Poland in 1772 and disappeared in 1918. Yet, in slightly over a century, the idea of Galicia came to have meaning for both the peoples who lived there and the Habsburg government that ruled it. Indeed, its memory continues to exercise a powerful fascination for those who live in its former territories and for the descendants of those who emigrated out of Galicia. The idea of Galicia was largely produced by the cultures of two cities, Lviv and Cracow. Making use of travelers' accounts, newspaper reports, and literary works, Wolff engages such figures as Emperor Joseph II, Metternich, Leopold von Sacher-Masoch, Ivan Franko, Stanisław Wyspiański, Tadeusz "Boy" Żeleński, Isaac Babel, Martin Buber, and Bruno Schulz. He shows the exceptional importance of provincial space as a site for the evolution of cultural meanings and identities, and analyzes the province as the framework for non-national and multi-national understandings of empire in European history.
Polish Pioneers in Illinois 1818-1850
This book attempts to discover the names of the first Polish settlers in Illinois, when they came to Illinois and their stories when possible. Some left complete stories about themselves while others only a very small amount. The time period starts in 1818, the year Illinois became a state and ends in 1850. I found much more information between 1818 and 1850 then I thought I would so I cut the book off at 1850. The Polish settlers are divided into five different categories. 1. Polish Political Exiles from Russia. 2. Polish emigrants from mainly German occupied Poland. 3. Polish Jews. 4. People of Polish descent, those persons with a Polish ancestor. 5. Emigrants from an undetermined county whose last names look Polish.
Galicia
This is the first comprehensive bibliographic guide to Galicia history.
SUCCINITE , FOSSILIZED RESIN REDISCOVERED
Baltic amber fascinates thousands of tourists who come to the Baltic Sea. Small children and their parents are eager to bury the sand while looking for precious resin. It is not easy to find, and every large piece of amber found in the “cucumber season” makes headlines. Another category of amber hunters are professionals. These are people who make a living from extracting amber of jewelry value, because each piece of fossilized resin has quite a lot of value. This group is quite hermetic, and the places and methods of extraction remain in the sphere of understatement and are shrouded in a certain mystery. The aforementioned group is particularly interested in the uniqueness of Baltic amb...
Music in the Culture of Polish Galicia, 1772-1914
"An analysis of the conditions of Galician society - its social structure and dynamics, political and economic status, and cultural level and aspirations - is followed by chapters on music as a commercial pursuit, as civic and moral pedagogy, as an expression of cultural identity, as communal experience, as status symbol, and as an expression of political attitudes of the Galicians. These themes illustrate the cultural use of music in Galician schools, theaters, musical societies, choirs, public concerts, and homes.".
Nikolay Myaskovsky
Drawing on a wealth of unexplored sources, this biography offers the first comprehensive critical reappraisal of the life and works of Nikolay Myaskovsky. Zuk's account is far removed from Cold War clichés of the regimented Soviet artist or sentimental stereotypes of persecuted genius.
Kronika Pomorzańska
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