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The Bhomantaka, or the Death of Bhoma, is a wide-ranging tale of the sweet romance of Samba and Yajñawati, of the defeat of the demon Bhoma by King Kresna and his minions in a truly monumental battle, and many more incidents and descriptions, a product of the sophisticated literary tradition of early Java. The poem is written in Old Javanese (composed by an author who does not mention his name or that of his king), in an idiom that presents many difficulties for the modern reader. This book contains an edition of the text, a translation, and an extensive explanatory introduction—enough to make the work accessible—and was produced by a team of two, both senior scholars of Old Javanese an...
It is just over a century since the first manuscript of Désawarnana (also known as the Nagarakrtagama) was rescued from the sack of the palace at Cakranagara in Lombok. Once its importance for Javanese history was recognized, its place was assured: our picture of the greatness of the Javanese kingdom of Majapahit in the second half of the 14th century is based largely on the evidence of this one text, and it is true to say that this picture has formed an inspiration for modern Indonesians as well. The text is not a literary masterpiece, and it is not typical of its genre; in fact it is unique. One of the reasons for this is the fact that here and there its author, Mpu Prapanca, tells us something about himself, in particular when he accompanies his king as Superintendent of Buddhist Affairs on a long journey through the countryside of East Java in 1359.
This is the most comprehensive study of pien-wen (“transformation texts” i.e., tales of metamorphosis) in any language since the manuscripts were discovered at the beginning of the 20th century in a remote cave complex in northwest China. They are the earliest written vernacular narratives in China and are thus extremely important in the history of Chinese language and literature. Numerous scholarly controversies have surrounded the study of the texts in the last three quarters of a century; this volume seeks to resolve some of them—the extent, origins, and formal characteristics of the texts, the meaning of pien wen, the identity of the authors who composed these popular narratives and the scribes who copied them, the relationship of the texts to oral performance, and the reasons for the apparently sudden demise of the genre around the beginning of the Sung dynasty. This is a multi-disciplinary study that integrates findings from religious, literary, linguistic, sociological, and historical materials, carried out with intellectual rigor. It includes an extensive bibliography of relevant sources in many languages.
Fundamental questions that must be answered: ● What nation in the world can explain the clear and detailed meaning of the philosophy of the "Swastika" symbol ...? ● What nation in the world to this day in its everyday culture uses the symbol "Swastika" ...? Nation ... which to this day with its "Swastika" philosophy lives peacefully and reconciles the world, because here is stored perfectly the basic teachings of the original "Dharmic" .... which underlies the growth of the 3 great religions of India Ńâmô āryātārā ..... We Are Aryā ...
BALI IS NOT INDIA Balinese culture was started by Indian Rshi ... Is it true....? When did "India" come to the Indonesian Archipelago before entering the remote corners of the country ... until all the original teachings of the archipelago, .... thousands of sites also the kingdom of "Pre-Islam" was mentioned from there ...? Let's look at: The Netherlands has played the role of "Indian" in Bali, brought Indians to Bali, "Balinese" Caste in 1910 because of this influence many Balinese in 1930 studied in India ... dominantly concluded "Bali is Better" Balinese culture was started by Indian Rshi ... Is it true....? ● Rshi Mārkaṇḍeya, refers to The Sanskrit Episode Mahābhārata which con...
The Materiality and Efficacy of Balinese Letters examines traditional uses of writing on the Indonesian island of Bali, focusing on the power attributed to Balinese script.The approach is interdisciplinary and comparative, bringing together insights from anthropological and philological perspectives. Scholars have long recognized a gap between the practices of philological interpretation and those of the Javano-Balinese textual tradition. The question is what impact this gap should have on our conception of ‘the text’. Of what relevance, for example, are the uses to which Balinese script has been put in the context of ceremonial rites? What ideas of materiality, power and agency are at work in the production and preservation of palm-leaf manuscripts, inscribed amulets and other script-bearing instruments? Contributors include: Andrea Acri, Helen Creese, Richard Fox, H.I.R. Hinzler, Annette Hornbacher, Thomas M. Hunter and Margaret Wiener.
Indonesian Manuscripts from the Islands of Java, Madura, Bali and Lombok discusses aspects of the long and impressive manuscript traditions of these islands, which share many aspects of manuscript production. Many hitherto unaddressed features of palm-leaf manuscripts are discussed here for the first time as well as elements of poetic texts, indications of mistakes, colophons and the calendrical information used in these manuscripts. All features discussed are explained with photographs. The introductory chapters offer insights into these traditions in a wider setting and the way researchers have studied them. This original and pioneering work also points out what topics needs further exploration to understand these manuscript traditions that use a variety of materials, languages, and scripts to a wider public.
In this fascinating study the lives and mores of women in one of the least understood but most densely populated areas of the world are unveiled through the eyes of generations of court poets. For more than a millennium, the poets of the Indic courts of Java and Bali composed epic kakawin poems in which they recreated the court environment where they and their royal patrons lived. Major themes in this poetry form include war, love, and marriage. It is a rich source for the cultural and social history of Indonesia. Still being produced in Bali today, kakawin remain of interest and relevance to Balinese cultural and religious identities. This book draws on the epic kakawin poetry tradition to ...
The Kakawin Ramayana, arguably the oldest Old Javanese epic text in Indic metres (circa 9th century AD), holds a unique position in the literary heritage of Indonesia. The poem has retained a remarkable vitality through the centuries in the Archipelago, inspiring many forms of artistic expression not only in the domain of literature but also in the visual and performing arts, from the reliefs of the majestic Central Javanese temples to modern puppet-show performances. Displaying a virtuoso array of metrical patterns, the Kakawin Ramayana is among the very few Old Javanese texts for which a specific Sanskrit prototype has been identified, namely the difficult poem Bhattikavya (circa 7th centu...