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Inexorable Modernity
The book represents a compilation of case studies about Japanese intellectuals' relationships to modernity in three majors arenas of art (art and aesthetics, theater, and literature) beginning in the 1850s to the 1970s. It discusses how inevitable wave of modernity was responded to, discussed, assimilated, changed by some of the most notable practitioners of art and intellectuals in Japan during this period.
Fenollosa's Legacy in Late Nineteenth-Century Japan
The book makes a critical assessment of American art theorist Ernest F. Fenollosa's work in Meiji Japan and offers the first English translation of the Bijutsu shinsetsu speech for which he became known. The author argues that Fenollosa's acclaimed reputation as the savior of traditional Japanese art may have been overestimated.
Acts of Reading
Students who have completed a year of German read Brecht in their second year, those of Spanish read Cervantes. Teachers of first and second-year Japanese can often find nothing comparable. "Why aren't your students reading literature?" they are asked. "Why not Soseki? Or Murakami?" What are instructors of Japanese doing wrong? Nothing, according to the authors of this volume. Rather, they argue, such questions exemplify the gross misunderstandings and unreasonable expectations of teaching reading in Japanese. In Acts of Reading, the authors set out to explore what reading is for Japanese as a language, and how instructors should teach it to students of Japanese. They seek answers to two que...
Yoshida Shigeru
The most complete autobiography of Yoshida Shigeru available in English, this expanded translation of his memoirs traces the remarkable life and times of one of Japan's most powerful and influential figures. Yoshida (1878-1967), who served in China and Europe as a career diplomat, closely linked with the key political leaders who shaped the world in Japan's most tumultuous years in the first half of the twentieth century. He returned to politics to rebuild Japan as a five-time prime minister after the devastation of World War II. Yoshida retired from the Japanese Foreign Ministry in 1939 with the intention of leading a quiet life. Yet he knew the winds of war were stirring and presciently be...
The Structure of Detachment
Published in 1930, when Japan was struggling to define and assert its national and cultural identity, The Structure of Iki (Iki no kôzô) re-introduced the Japanese to a sophisticated tradition of urbane and spirited stylishness (iki) that was forged in the Edo period. Upon his return from Europe, Kuki Shûzô (1888–1941) made use of the new theoretical frameworks based on Western Continental methodology to redefine the significance of iki in Japanese society and culture. By applying Heidegger’s hermeneutics to this cultural phenomenon, he attempted to recast traditional understanding in the context of Western aesthetic theory and reestablish the centrality of a purely Japanese sense of...
Fenollosa’s Legacy in Late Nineteenth-Century Japan
Fenollosa’s Legacy in Late Nineteenth Century Japan: An American Scholar’s Role in Resurrecting the Art of Japan makes a critical assessment of American art theorist Ernest F. Fenollosa’s work in Meiji Japan. Ernest F. Fenollosa was first hired as a Tokyo University professor of political philosophy in 1878 but became an art theorist and policymaker for Japan’s Education Ministry. His illustrious career as an art administrator began with the 1882 Bijutsu shinsetsu speech that cemented the reputation of his work. Working closely with Okakura Kakuzō (Tenshin), Fenollosa became the lightning rod in defining the course of modern painting as well as in establishing the first national art school. He is widely credited with resurrecting moribund traditional Japanese painting to health. The author shows this assessment of Fenollosa as the savior of Japanese traditional painting work may not have been deserved by examining the historical context in which he made the 1882 speech. The book offers the first English translation of Fenollosa’s 1882 Bijutsu shinsetsu speech that had been previously unavailable to the non-Japanese reading audience.
Parody, Irony and Ideology in the Fiction of Ihara Saikaku
The first monograph published in English on Ihara Saikaku’s fiction, Gundry’s lucid, compelling study examines works by Edo-period Japan’s leading writer of ‘floating world’ literature both in their local context and as part of transnational trends in early bourgeois narrative.
