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Even though over the last three decades several books on Western-Eastern encounters have been published, this book offers a new approach to the way we look at current writers of Spanish and Portuguese and their vigor and creativity in guiding us towards a deeper understanding of Orientalism. The chapters in this volume explore novels, short stories, poems, essays and chronicles of prominent writers of the Hispanic and Luso-Brazilian world through the lens of transmodernity in a way that blurs borders and gracefully blends fiction with our own perceived cultural and personal realities. The essays take us from images of China and Japan in the writings of Camilo Pessanha and Wenceslau de Moraes...
In Beyond Tordesillas both young and established scholars forcefully challenge the disciplinary boundaries that for too long have separated Hispanic and Luso-Brazilian studies. Instead, the volume's contributors reveal Iberian and Latin American cultures to be inherently transoceanic, and therefore best approached in comparative terms.
This volume explores the history, evolution, and future of Luso-Hispanic Cultural Studies as a discipline, a pedagogical tool, and a set of working practices by bringing together a diverse group of renowned specialists to examine how the field has grown out of and radically reconsidered some of the basic premises of British Cultural Studies since the 1950s to address the many cultures of the Spanish and Portuguese-speaking world. The chapters in this volume address How Cultural Studies is being practiced in the increasingly virtual mediascapes of the twenty-first century What happens to basic critical assumptions about culture and power after they have passed through the filter of Post-Colon...
The image of the hard-boiled private investigator from gritty pulp fiction, a terse and mysterious figure, has become increasingly universal as the detective novel crosses more and more borders. A booming genre in Latin America, Spain and other Hispanic cultures, detective fiction has transcended the limitations of its influences. Hispanic authors relatively new to the genre have published novels and series popular with the public, while a number of well-known writers have adapted the genre to reflect the concurrent globalization of modern society and the crimes within it. This volume presents a compilation of 11 critical essays on genero negro--contemporary detective fiction in the Hispanic and Luso-Brazilian canon. Surveying the last twenty years, the text analyzes emerging trends in this rapidly evolving genre, as well as the mutations and innovations taking place within the style. The first section of the book is dedicated to the detective fiction of Spain and Portugal. The second section surveys works from Latin America and the United States, where topics touch on universal subjects like crime, identity and feminism.