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Antebellum Women
How did diverse women in America understand, explain, and act upon their varied constraints, positions, responsibilities, and worldviews in changing American society between the end of the Revolution and the beginning of the Civil War? Antebellum Women: Private, Public, Partisan answers the question by going beyond previous works in the field. The authors identify three phases in the changing relationship of women to civic and political activities. They first situate women as "deferential domestics" in a world of conservative gender expectations; then map out the development of an ideology that allowed women to leverage their familial responsibilities into participation as "companionate co-workers" in movements of religion, reform, and social welfare; and finally trace the path of those who followed their causes into the world of politics as "passionate partisans." The book includes a selection of primary documents that encompasses both well-known works and previously unpublished texts from a variety of genre
Gender and the American Temperance Movement of the Nineteenth Century
During the nineteenth century, the American temperance movement underwent a visible, gendered shift in its leadership as it evolved from a male-led movement to one dominated by the women. However, this transition of leadership masked the complexity and diversity of the temperance movement. Through an examination of the two icons of the movement -- the self-made man and the crusading woman -- Fletcher demonstrates the evolving meaning and context of temperance and gender. Temperance becomes a story of how the debate on racial and gender equality became submerged in service to a corporate, political enterprise and how men’s and women’s identities and functions were reconfigured in relationship to each other and within this shifting political and cultural landscape.
American Exceptionalism
A powerful dissection of a core American myth. The idea that the United States is unlike every other country in world history is a surprisingly resilient one. Throughout his distinguished career, Ian Tyrrell has been one of the most influential historians of the idea of American exceptionalism, but he has never written a book focused solely on it until now. The notion that American identity might be exceptional emerged, Tyrrell shows, from the belief that the nascent early republic was not simply a postcolonial state but a genuinely new experiment in an imperialist world dominated by Britain. Prior to the Civil War, American exceptionalism fostered declarations of cultural, economic, and spa...
Steep
“Steep brings together many of the leading scholars on modern, U.S.-right-wing politics. An exceptionally important and timely collection that sheds new light on the Tea Party phenomenon.” - Kathleen Blee, author of Inside Organized Racism: Women in the Hate Movement "Steep is deep. Its contribution of genuine interdisciplinary scholarship to the phenomenon of the Tea Party is one the best things to happen to our understanding of contemporary right-wing politics. This is an outstanding place for concerned citizens to understand the movement, whether it ends up rising or falling." - Rick Perlstein, author of Before the Storm: Barry Goldwater and the Unmaking of the American Consensus and Nixonland: The Rise of a President and the Fracturing of America
Performing American Identity in Anti-Mormon Melodrama
In the late nineteenth century, melodramas were spectacular entertainment for Americans. They were also a key forum in which elements of American culture were represented, contested, and inverted. This book focuses specifically on the construction of the Mormon villain as rapist, murderer, and Turk in anti-Mormon melodramas. These melodramas illustrated a particularly religious world-view that dominated American life and promoted the sexually conservative ideals of the cult of true womanhood. They also examined the limits of honorable violence, and suggested the whiteness of national ethnicity. In investigating the relationship between theatre, popular literature, political rhetoric, and religious fervor, Megan Sanborn Jones reveals how anti-Mormon melodramas created a space for audiences to imagine a unified American identity.
Black Women in New South Literature and Culture
Using the "the Negro Problem" in African American literature as a point of departure, this book focuses on the profound impact that racism had on the literary imagination of black Americans, specifically those in the South. Although the South has been one of the most enduring sites of criticism in American Studies and in American literary history, Johnson argues that it is impossible to consider what the "South" and what "southernness" mean as cultural references without looking at how black women have contributed to and contested any unified definition of that region. Johnson challenges the homogeneity of a "white" South and southern cultural identity by recognizing how fictional and historical black women are underacknowledged agents of cultural change. Johnson regards the South as a cultural region that (re)constructs black womanhood, but she also considers how black womanhood have transformed the South. Specialists in nineteenth and twentieth century American literature will find this book a necessary addition, as will scholars of African American Literature and History.
"Addiction and British Visual Culture, 1751?919 "
Highly innovative and long overdue, this study analyzes the visual culture of addiction produced in Britain during the long nineteenth century. The book examines well-known images such as William Hogarth's Gin Lane (1751), as well as lesser-known artworks including Alfred Priest's painting Cocaine (1919), in order to demonstrate how visual culture was both informed by, and contributed to, discourses of addiction in the period between 1751 and 1919. Through her analysis of more than 30 images, Julia Skelly deconstructs beliefs and stereotypes related to addicted individuals that remain entrenched in the popular imagination today. Drawing upon both feminist and queer methodologies, as well as ...
At War with King Alcohol
Liquor was essential to military culture as well as healthcare regimens in both the Union and Confederate armies. But its widespread use and misuse caused severe disruptions as unruly drunken soldiers and officers stumbled down roads and through towns, colliding with civilians. The problems surrounding liquor prompted debates among military officials, soldiers, and civilians as to what constituted acceptable drinking. While Americans never could agree on precisely when it was appropriate to make or drink alcohol, one consensus emerged: the wasteful manufacture and reckless consumption of spirits during a time of civil war was so unpatriotic that it sometimes bordered on disloyalty. Using an array of sources—temperance periodicals, soldiers' accounts, legislative proceedings, and military records—Megan L. Bever explores the relationship between war, the practical realities of drinking alcohol, and temperance sentiment within the United States. Her insightful conclusions promise to shed new light on our understanding of soldiers' and veterans' lives, civil-military relations, and the complicated relationship between drinking, morality, and masculinity.
Staged Readings
How popular culture helped to create class in nineteenth-century America
Frances Ellen Watkins Harper
A prominent early feminist, abolitionist, and civil rights advocate, Frances Ellen Watkins Harper wrote and spoke across genres and reform platforms during the turbulent second half of the nineteenth century. Her invention of a new commonplace language of moral character drew on the persuasive and didactic motifs of the previous decades of African-American reform politics, but far exceeded her predecessors in crafting lessons of rhetoric for women. Focusing on the way in which Harper brought her readers a critical training for the rhetorical action of a life commitment to social reform, this book reconsiders her practice as explicitly and primarily a project of teaching. This study also places Harper's work firmly in black-nationalist lineages from which she is routinely excluded, establishes Harper as an architect of a collective African-American identity that constitutes a political and theoretical bridge between early abolitionism and 20th-century civil rights activism, and contributes to the contemporary portrayal of Harper as an important theorist of African-American feminism whose radical egalitarian ethic has lasting relevance for civil rights and human rights workers.
