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No one at school knew that fifteen-year-old Aggie and her mother were hoarders until the Idiot Boys. That made her even more a target of bullies than she was before. At home, aka The Dump, her loneliness and despair are further punctuated by her mother’s alcoholism, neglect, and paranoia. But Aggie is a warrior and she devises a plan to fight back —?a plan that enlists a few of the other misfits at school. The plan isn’t an easy one, though, and when she is beaten by a group of girls, she finds strength and encouragement from some unlikely sources. Will it be enough to turn her life around? And will she somehow be able to save her mother, who continues a downward spiral of neglect?
Should I tell him about Sushing or play dumb? Sticking in my comfort zone, I played dumb. Writer Marco Ocram has a secret superpower—whatever he writes actually happens, there and then. Hoping to win the million-dollar Sushing Prize, he uses his powers to write a true-crime thriller, quickly discovering a freakish murder. But Marco has a major problem—he's a total idiot who can't see beyond his next sentence. Losing control of his plot and his characters, and breaking all the rules of fiction, Marco writes himself into every kind of trouble, until only the world's most incredible ending can save his bacon. Fast, funny, and utterly different, welcome to the weird world of The Awful Truth.
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Approaching the past as both historian and artist, Cynthia Imogen Hammond documents how women across classes shaped the built environment of one of England's most architecturally significant cities. Architects, Angels, Activists and the City of Bath, 1765-1965: Engaging with Women's Spatial Interventions in Buildings and Landscape documents Hammond's own creative, spatial interventions in the city, through which she brings the history of women to the foreground of Bath's urban image.