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On February 25, 1938, in the early days of the welfare system, the reviled poormaster Harry Barck—wielding power over who would receive public aid—died from a paper spike thrust into his heart. Barck was murdered, the prosecution would assert, by an unemployed mason named Joe Scutellaro. In denying Scutellaro money, Barck had suggested the man's wife prostitute herself on the streets rather than ask the city of Hoboken, New Jersey, for aid. The men scuffled. Scutellaro insisted that Barck fell on his spike; the police claimed he grabbed the spike and stabbed Barck. News of the poormaster's death brought national attention to the plight of ten million unemployed living in desperate circum...
After finding the sole public reference to slavery on a bronze plaque in her adopted hometown of Hoboken, New Jersey, author Holly Metz began a search for the life story of the enslaved man mentioned there. Peter Lee, who lived to the age of 98, worked all his life as a butler for the Stevens family, who were widely known for their vast fortune, engineering innovations, and development of the city of Hoboken.Who was Peter Lee? Poring over thousands of pages of deeds, letters, farm books, newspaper articles, and ledgers, Metz uncovered Lee's life and ancestry, and also discovered previously unexamined records that document a Stevens patriarch's deep investment in the slave trade.
Through multiple points of resistance, The Repressed Expressed underscores how hard it is to build a community in any nation with no beneficial qualities of hope and transparency. This informative collection of essays highlights that wherever stability and order are lacking, the universal appeal is to express that which is suppressed. Also, like a map or guidebook, The Repressed Expressed indicates how people in such geographical prisons strive to transform their agitation into spiritual and political pathways, free of pain and hurt from, and anger towards a dirty and corrupted world. It thus, underpins discord and brings to the fore the authority’s penchant for heaping abuse upon those caused to live in fear. In short, The Repressed Expressedis an impressive compilation of literary evidence informing scholarship on opinions and beliefs relating to repression, its expression, and the immeasurable associated cost.
What’s the true story behind the “buffalo” wing, and why do Buffalonians refuse to call it that? Where is the nature preserve that was once an outlaw colony? Which obscure shop on the city’s East Side produces hats for Hollywood? Find the answers to these questions and many more in Secret Buffalo, a guide to the mysteries, surprises, and incredible stories of this Gilded Age hub. Now known for its architecture, food, and natural beauty, Buffalo’s history hides more than a few gems to astound visitors and locals alike. Learn about an early motion picture theater, the first woman to run for US president, the first Olmsted-designed park system, and more. Discover Buffalo’s hidden public art, travel the Underground Railroad, and make a bucket list of hidden parks to enjoy. It’s all here, and with local author Elizabeth Licata’s lifetime of exploration to guide you, you’ll be well on your way through the weird and wonderful sides of the Queen City. Uncover the secrets of a city you thought you knew.
Follows the work of a range of public intellectuals like Aronowitz, Giroux, hooks, Mouffe, and West, and argues for a 'radical democracy' capable of subverting traditional divisions of 'left' and'right.'
The best examples of the posters, prints and other graphics that have been used for political protest throughout history and right to the present.
Contributions by Georgiana Banita, Colin Beineke, Harriet Earle, Ariela Freedman, Liza Futerman, Shawn Gilmore, Sarah Hamblin, Cara Koehler, Lee Konstantinou, Patrick Lawrence, Philip Smith, and Kent Worcester A carefully curated, wide-ranging edited volume tracing Art Spiegelman’s exceptional trajectory from underground rebellion to mainstream success, Artful Breakdowns: The Comics of Art Spiegelman reveals his key role in the rise of comics as an art form and of the cartoonist as artist. The collection grapples with Spiegelman’s astonishing versatility, from his irreverent underground strips, influential avant-garde magazine RAW, the expressionist style of the comics classic Maus, the ...
It has long been considered a mark of naïveté to ask of a work of art: What does it say? But as Timothy W. Luke demonstrates in Shows of Force, artwork is capable of saying plenty, and much of the message resides in the way it is exhibited. By critically examining the exhibition of art in contemporary American museums, Luke identifies how art showings are elaborate works of theater that reveal underlying political, social, and economic agendas. The first section, "Envisioning a Past, Imagining the West," looks at art exhibitions devoted to artworks about or from the American West. Luke shows how these exhibitions--displaying nineteenth- and early-twentieth century works by artists such as ...
Essay by Deborah Wye. Foreword by Glenn D. Lowry.