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Rays of the Searching Sun
Yang Mu, the recipient of the 2007 International Prize for Literature Written in Chinese, is a well-known bicultural poet. Born in Taiwan during the last phase of the Japanese occupation, his life and writing have been influenced by competing forces in the historical, political, intellectual, linguistic, and aesthetic realms. Yang Mu's humanist sensibility has offered critical insights into the dangers of binary opposition and ideological thinking. His poetry has appealed to readers worldwide and is accessible in English, French, German, Dutch, Swedish, Japanese, and Korean translations. This study of Yang Mu's poetics examines the writer's literary choices from a cross-cultural perspective, highlighting the relationship between issues of international concern and modern cultural theories. Yang Mu's dialogic lyric voice engages peoples from different eras and cultures. This is achieved by addressing contemporary crises between nations or by responding to philosophical questions about identity, memory, and time. Yang Mu's works exhibit a true transcultural outlook that will significantly contribute to the development of 21st century world poetry.
Historical Dictionary of Modern Chinese Literature
Modern Chinese literature has been flourishing for over a century, with varying degrees of intensity and energy at different junctures of history and points of locale. An integral part of world literature from the moment it was born, it has been in constant dialogue with its counterparts from the rest of the world. As it has been challenged and enriched by external influences, it has contributed to the wealth of literary culture of the entire world. In terms of themes and styles, modern Chinese literature is rich and varied; from the revolutionary to the pastoral, from romanticism to feminism, from modernism to post-modernism, critical realism, psychological realism, socialist realism, and m...
The Many Lives of Yang Zhu
This volume presents the most important portrayals of an ancient Chinese master, Yang Zhu, throughout Chinese history, from the fourth century BCE till today. Due to the striking scarcity of reliable textual testimony regarding his life and thought, all these portrayals are to a large extent inspired by their own historical contexts: Mencius's criticism in the late Warring States, the creation of a Confucian orthodoxy during the imperial era, and the establishment of a Chinese philosophy in the Republic. This volume adopts a historical approach, tracing the most important portrayals of Yang Zhu in their own contexts and mutual connections. It yields new insights not only into the figure of Yang Zhu, but also into the stages of China's intellectual history. Scarcity of reliable textual support is, to varying degrees, a common predicament in the study of ancient Chinese masters, but the case of Yang Zhu is particularly illuminating. The remarkable dearth of textual material represents the almost "nothing" out of which early Chinese philosophers such as Yang Zhu have been fruitfully "created."
Modern Chinese Theologies
This is the first volume in a series of three exploring modern Chinese theology. This volume covers "Mainland and Mainstream"--church theologians of mainland China who were predominantly associated with mainline or missionary-established denominations. In the post-1949 era of the People's Republic this translates into theologians and theological movements associated with the state-authorized church: the Chinese Catholic Patriotic Association and the (Protestant) Three-Self Patriotic Movement. The volume is broadly chronological, with each Part forming a thematic unity. Part I covers "Republican and Wartime Theologies," with seven chapters exploring theologies of resistance, ethics, and theme...
Reading Medieval Chinese Poetry
Nine renowned sinologists present a range of studies that display the riches of medieval Chinese verse in varied guises. All major verse-forms, including shi, fu, and ci, are examined, with a special focus on poetry’s negotiation with tradition and historical context. Dozens of previously untranslated works are here rendered in English for the first time, and readers will enter a literary culture that was deeply infused with imperatives of wit, learning, and empathy. Among the diverse topics met with in this volume are metaphysical poetry as a medium of social exchange, the place of ruins in Chinese poetry, the reality and imaginary of frontier borderlands, the enigma of misattribution, and how a 19th-century Frenchwoman discovered Tang poetry for the Western world. Contributors include Timothy Wai Keung Chan, Robert Joe Cutter, Ronald Egan, David R. Knechtges, Paul W. Kroll, Stephen Owen, Wendy Swartz, Ding Xiang Warner, and Pauline Yu.
New Perspectives on Contemporary Chinese Poetry
This book brings together fresh research from experts on contemporary Chinese poetry, built upon one of the most glorious poetic traditions of any civilization in the world yet historically neglected by scholars in English. This comprehensive volume offers readable and provocative treatments of many of the most important Chinese poets of our age.
Ite missa est—Ritual Interactions around Mass in Chinese Society (1583–1720)
The first book dedicated to the propagation of the Mass in late Imperial China unfolds dynamic interactions between this essential Catholic ritual and various cultural expressions in Chinese society, including traditional religion, architecture, art, literature, government, and theology.
An Artistic Exile
Publisher description
The Literature of Leisure and Chinese Modernity
The Chinese essay is arguably China’s most distinctive contribution to modern world literature, and the period of its greatest influence and popularity—the mid-1930s—is the central concern of this book. What Charles Laughlin terms "the literature of leisure" is a modern literary response to the cultural past that manifests itself most conspicuously in the form of short, informal essay writing (xiaopin wen). Laughlin examines the essay both as a widely practiced and influential genre of literary expression and as an important counter-discourse to the revolutionary tradition of New Literature (especially realistic fiction), often viewed as the dominant mode of literature at the time. Aft...
The A to Z of Modern Chinese Literature
The A to Z of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.
