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The Complete Motets
Pagination: vii + 106 pp.
A House Divided
This book examines the intersection between religious belief, dynastic ambitions, and late Renaissance court culture within the main branches of Germany's most storied ruling house, the Wittelsbach dynasty. Their influence touched many shores from the "coast" of Bohemia to Boston.
Late Renaissance Music at the Hapsburg Court
First Published in 1987. This study presents the background for the sacred musical patronage at the court, with specific reference to the polyphonic settings of the Mass Ordinary - during the reign of Holy Roman Emperor Rudolf II (1576-1612). One function of the present work is to collect the various relevant data concerning the chapel and the Mass, and to demonstrate basic relationships at the court. This study approaches the chapel of Rudolf II through archival research, musical sources, and comparing the compositional process of its composers. The goal is a better understanding of the sacred musical practice at the chapel.
Composition, Printing and Performance
The first articles here focus on Johannes Tinctoris, the prominent late 15th-century music theorist. They deal with the discovery of his lost pedagogical motet, and his treatise on counterpoint; this forms the basis of a wide-ranging investigation of contemporary practices of improvisation and composition (singing super librum and writing res facta), in which the question of ’successive’ and ’simultaneous’ composition is reconsidered. Tinctoris's sometimes sharp rebukes to famous composers are also investigated in the context of works by Ockeghem. Ottaviano Petrucci's first publication of music, the ’Odhecaton’ of 1501, is the subject of another three articles. These identify the editor of the work, and make new proposals on the provenance and editing of this repertory. The last article presents an edition of a treatise of ca. 1600 in the form of a letter from the virtuoso cornettist Luigi Zenobi to an unknown prince, which offers new insights on the change in performance practice at the end of the Renaissance.
Charles Ives
This research guide provides detailed information on over one thousand publications and websites concerning the American composer Charles Ives. With informative annotations and nearly two hundred new entries, this greatly expanded, updated, and revised guide offers a key survey of the field for interested readers and experienced researchers alike.
Johannes Brahms
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Warrior, Courtier, Singer
Giulio Cesare Brancaccio was a Neapolitan nobleman with long practical experience of military life, first in the service of Charles V and later as both soldier and courtier in France and then at the court of Alfonso II d'Este at Ferrara. He was also a virtuoso bass singer whose performances were praised by both Tasso and Guarini - he was even for a while the only male member of the famous Ferrarese court Concerto delle dame, who established a legendary reputation during the 1580s. Richard Wistreich examines Brancaccio's life in detail and from this it becomes possible to consider the mental and social world of a warrior and courtier with musical skills in a broader context. A wide-ranging st...
Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich
After the Mass Ordinary, the Magnificat was the liturgical text most frequently set by Renaissance composers, and Orlando di Lasso's 101 polyphonic settings form the largest and most varied repertory of Magnificats in the history of European music. In the first detailed investigation of this repertory, David Crook focuses on the forty parody or imitation Magnificats, which Lasso based on motets, madrigals, and chansons written by such composers as Josquin and Rore. By examining these Magnificats in their social, historical, and liturgical contexts and in terms of composition theory, Crook opens a new window on the breadth and subtlety of an important composer often harshly judged on his use ...
Foundations in Music Bibliography
As more and more music literature is published each year, librarians, scholars, and bibliographers are turning to music bibliography to retain control over the flood of information. Based on the Conference of Music Bibliography, this timely book provides vital information on the most important aspects of the scholarly practice of music bibliography. Foundations in Music Bibliography provides librarians with great insight into bibliographic issues they face every day including bibliographic control of primary and secondary sources, the emergence of enumerative and analytical bibliography, bibliographic instruction, and bibliographic lacunae. Foundations in Music Bibliography features the pers...
The Early Modern Yiddish Bible
The translation of the Bible into the vernacular is a venerable Jewish tradition, more than two thousand years old. Ashkenazi Jewish culture was a latecomer to the vernacular Bible, and it was only in the sixteenth century that the Yiddish Bible made its appearance in print. Almost one hundred years ago, Wilhelm Staerk and Albert Leitzmann's survey of Early Modern Yiddish Bible translations was the first attempt to define this genre of Early Modern Yiddish literature. In the intervening century there has been relatively little scholarly interest in these texts. The purpose of the present study is to survey the present state of research in this field and place these works in the context of th...
