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Language and Imaginability
Language and Imaginability pursues the hypothesis that natural language is fundamentally heterosemiotic, combining as it does the symbolicity of word sounds with the iconicity of motivated signifieds conceived as socially organized mental events. Viewed phenomenologically, language is regarded as an ontically heteronomous construct performed by speakers within the boundaries of sufficient semiosis under the control of the speech community. From both angles, a commitment to some form of intersubjective mentalism appears unavoidable. This, the author argues, forces us to conclude that imaginability plays a central role in the constitution of linguistic meanings as indirectly public phenomena. ...
Semantics and the Body
In traditional semantics, the human body tends to be ignored in the process of constructing meaning. Horst Ruthrof argues, by contrast, that the body is an integral part of this hermeneutic activity. Strictly language-based theories, and theories which conflate formal and natural languages, run into problems when they describe how we communicate in cultural settings. Semantics and the Body proposes that language is no more than a symbolic grid which does not signify at all unless it is brought to life by non-linguistic signs. Ruthrof reviews and analyses various 'orthodox' theories of meaning, from the views of Gottlob Frege at the beginning of the twentieth century to those of theorists in ...
Husserl's Phenomenology of Natural Language
Horst Ruthrof revisits Husserl's phenomenology of language and highlights his late writings as essential to understanding the full range of his ideas. Focusing on the idea of language as imaginable as well as the role of a speech community in constituting it, Ruthrof provides a powerful re-assessment of his methodological phenomenology. From the Logical Investigations to untranslated portions of his Nachlass, Ruthrof charts all the developments and amendments in his theorizations. Ruthrof argues that it is the intersubjective character to linguistic meaning that is so emblematic of Husserl's position. Bringing his study up to the present day, Ruthrof discusses mental time travel, the evolution of language, and protosyntax in the context of Husserl's late writings, progressing a comprehensive new phenomenological ontology of language with wide-ranging implications for philosophy, linguistics, and cultural studies.
Abysmal
People rely on reason to think about and navigate the abstract world of human relations in much the same way they rely on maps to study and traverse the physical world. Starting from that simple observation, renowned geographer Gunnar Olsson offers in Abysmal an astonishingly erudite critique of the way human thought and action have become deeply immersed in the rhetoric of cartography and how this cartographic reasoning allows the powerful to map out other people’s lives. A spectacular reading of Western philosophy, religion, and mythology that draws on early maps and atlases, Plato, Kant, and Wittgenstein, Thomas Pynchon, Gilgamesh, and Marcel Duchamp, Abysmal is itself a minimalist guide to the terrain of Western culture. Olsson roams widely but always returns to the problems inherent in reason, to question the outdated assumptions and fixed ideas that thinking cartographically entails. A work of ambition, scope, and sharp wit, Abysmal will appeal to an eclectic audience—to geographers and cartographers, but also to anyone interested in the history of ideas, culture, and art.
Narration in the Fiction Film
Mimetic theories of narration - Diegetic theories of narration - The viewe's activity - Principles of narration - Sin, murder, and narration - Narration and time - Narration and space - Modes and norms - Classical narration : the Hollywood example - Art-cinema narration - Historical-materialist narration : the soviet example - Parametric narration - Godard and narration.
Drifting among Rivers and Lakes
What drives literary change? Does literature merely follow shifts in a culture, or does it play a distinctive role in shaping emergent trends? Michael Fuller explores these questions while examining the changes in Chinese shipoetry from the late Northern Song dynasty (960–1127) to the end of the Southern Song (1127–1279), a period of profound social and cultural transformation. Shi poetry written in response to events was the dominant literary genre in Song dynasty China, serving as a central form through which literati explored meaning in their encounters with the world. By the late Northern Song, however, old models for meaning were proving inadequate, and Daoxue (Neo-Confucianism) pro...
Maltese Linguistics
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The Post to Come
Typically, when utilised in the general terms of a post-metaphysics, the 'Post' is seen as unsympathetic to ethics. In contrast, this author proposes that the trajectory for a post-metaphysical ethics can be traced from the work of Martin Heidegger. Despite demonstrating that certain projects of the 'Post' have reached an impasse, she argues that other such possibilities do develop an outline for an ethical 'Post' that does not collapse into paradox or remain at an impasse, further suggesting that this vision of the 'Post' holds positive significance and implications for our conceptions of ethics and ethical practice in the 21st century. Drawing in detail on both Heidegger's oeuvre and a wide range of associated projects in contemporary continental philosophy, including phenomenology, deconstruction, pragmatism, the newer French liberalism and post-structuralist aesthetics and theology, this book delivers a convincing rebuttal of one of the more persistent arguments about post-Heideggerian philosophy and its relations to the ethical.
A Deleuzian Century?
A critical engagement with the writings on Gilles Deleuze by scholars and translators of his work. Originally published as a special edition of SAQ, Summer, 1997, Vol. 96.3; it's both an introduction to and a critique of his work.
Liminal Acts
The term liminal refers to a marginalized space of fertile chaos and creative potential where nothing is fixed or certain. Liminal performance is an emerging genre which has surfaced only in recent times and describes a range of interdisciplinary, highly experimental, performative works in theatre and performance, film and music-performances which can be seen to prioritize the body, the technological and the primordial. Broadhurst argues that traditional and contemporary critical and aesthetic theories are ultimately deficient in interpreting liminal performance. This revolutionary work first surveys traditional aesthetics in the writings of Kant, Nietzsche and Heidegger and juxtaposes them ...
