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Decoded Messages
During the Ming Dynasty numerous new animal themes were created to convey political and ethical messages current at court. As the result a sophisticated language of Chinese animal painting was developed, employing both the animals' symbolic associations and homonymic puns. Hou-mei Sung's exciting rediscovery of some of these lost meanings has led to a full-scale investigation of the evolving history of Chinese animal painting. Distinct symbolic meanings were associated with individual motifs, but all animals were assigned a place in the universe according to the Chinese concept of nature. From the very early yin/yang cosmology to later developments of Daoist and Confucian philosophies and ethics, Chinese animals gained new meanings related to their historical contexts. This book explores these new findings, using the colorful animal images and their rich and evolving symbolic meanings to gain insight into unique aspects of Chinese art, as well as Chinese culture and history. Exhibition Schedule: Cincinnati Museum of Art (October 2009 - February 2010)
Galloping Through Dynasties
On the symbolic and stylistic transformations of the horse motif in Chinese painting Published for an exhibition at the Cincinnati Art Museum, Galloping through Dynastiesinvestigates the history of Chinese horse painting, a subject heretofore little studied. Organized chronologically, the volume explores the following themes: Celestial Horse and Imperial Horse Portraits in Early China, The Song Aesthetics and New Genres of Horse Painting, Transformation of the Horse Image in the Yuan Dynasty and The Symbolic Language of Horse Painting in the Ming and Qing Dynasties. The catalog offers new insights into how the Chinese define horses through their concept of nature and how Chinese horse paintings evolved in both their stylistic and symbolic contents and formed a language to convey political and social messages.
Terracotta Army
"This catalog accompanies the exhibition Terracotta Army: Legacy of the First Emperor of China, organized by the Virginia Museum of Fine Arts"--
Possessing the Past
A major scholarly work, published in conjunction with the exhibition titled "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei" (on display at the Metropolitan Museum of Art during 1996, and scheduled for several other American cities during 1996-1997). Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book synthesizes scholarship of the past three decades to present the historical and cultural significance of individual works of art and analyses of their aesthetic content, as well as reevaluation of the cultural dynamics of Chinese history. Includes some 600 illustrations, 436 in color. Annotation copyright by Book News, Inc., Portland, OR
Issues of Authenticity in Chinese Painting
Published in conjunction with a December 1999 symposium held at the Metropolitan Museum of Art, New York, and an exhibition, "The Artist as Collector: Masterpieces of Chinese Painting from the C.C. Wang Family Collection." Twelve contributions give dissenting opinions regarding a book recently published by The Museum titled Along the Riverbank, which seeks to attribute the painting called "Riverbank" to the 10th-century landscape master Dong Yuan--an attribution that would call for the rewriting of early Chinese painting history. This volume contains 239 bandw illustrations to support the contributors' efforts to explain their opinions. Annotation copyrighted by Book News, Inc., Portland, OR
Ink Plum
A study of ink plum (momei) painting.
Culture, Courtiers, and Competition
"This collection of essays reveals the Ming court as an arena of competition and negotiation, where a large cast of actors pursued individual and corporate ends, personal agency shaped protocol and style, and diverse people, goods, and tastes converged. Rather than observing an immutable set of traditions, court culture underwent frequent reinterpretation and rearticulation, processes driven by immediate personal imperatives, mediated through social, political, and cultural interaction. The essays address several common themes. First, they rethink previous notions of imperial isolation, instead stressing the court’s myriad ties both to local Beijing society and to the empire as a whole. Se...
Forbidden City
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Oriental Art
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Three Thousand Years of Chinese Painting
Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
