Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A Theory of Craft
What is craft? How is it different from fine art or design? In A Theory of Craft, Howard Risatti examines these issues by comparing handmade ceramics, glass, metalwork, weaving, and furniture to painting, sculpture, photography, and machine-made design from Bauhaus to the Memphis Group. He describes craft's unique qualities as functionality combined with an ability to express human values that transcend temporal, spatial, and social boundaries. Modern design today has taken over from craft the making of functional objects of daily use by employing machines to do work once done by hand. Understanding the aesthetic and social implications of this transformation forces us to see craft as well a...
A Theory of Craft
What is craft? How is it different from fine art or design? In A Theory of Craft, Howard Risatti examines these issues by comparing handmade ceramics, glass, metalwork, weaving, and furniture to painting, sculpture, photography, and machine-made design from Bauhaus to the Memphis Group. He describes craft as uniquely blending function with a deeper expression of human values that transcend culture, time, and space. Craft must articulate a role for itself in contemporary society, says Risatti; otherwise it will be absorbed by fine art or design, and its singular approach to understanding the world will be lost.
New Music Vocabulary
None
Postmodern Perspectives
Exploring the relationship between contemporary art, culture, and society, this book offers non-specialists a guide to the general structure and focus of Postmodern critical discourse, preparing them to understand the origins, theories, and interrelated ideas of Postmodern art and art criticism within a broader social and political context. Organizes material into six groups of essays--each centering around a specific idea/issue and delineating the main philosophical, theoretical, and critical approaches that have shaped criticism in the Postmodern period. Provides an introductory essay before each group explaining the origin, contextual background, and central issue of the topic, followed by a series of articles reprinted from various sources. Presents the ideas and readings chronologically, showing their interrelationships. Discusses issues of minority, quality, cultural dominance, feminism as a model for the marginality argument, and the museum as a site of cultural representation. For art historians.
NeoCraft
Edited by Sandra Alfondy. Text by Grace Cochrane, Elizabeth Cumming, Tanya Harrod, Janice Helland, David Howard, David Howes, Love Jonsson, Beverly Lemire, Joseph McBrinn, Bruce Metcalf, B. Lynne Milgram, Alla Myzelev, John Potvin, Mike Press, Larry Shiner.
Guide to Aesthetics
A reprint of the Library of Liberal Arts edition of 1965. Croce's Guide presents one of the clearest and strongest defenses of the intuitive nature of art in Western philosophical thought.
Makers
Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.
Art History's History
This undergraduate text covers the standard (old and new) methodological approaches to art history, in a clear, direct and understandable way.
Researching Visual Arts Education in Museums and Galleries
Researching Visual Arts Education in Museums and Galleries brings together case studies from Europe, Asia and North America, in a way that will lay a foundation for international co-operation in the future development and communication of practice-based research. The research in each of the cases directly stems from educational practice in very particular contexts, indicating at once the variety and detail of practitioners' concerns and their common interests.
Thinking Through Craft
This book is an introduction to the way that artists working in all media think about craft. Workmanship is key to today's visual arts, when high 'production values' are becoming increasingly commonplace. Yet craft's centrality to contemporary art has received little serious attention from critics and historians. Dispensing with clichéd arguments that craft is art, Adamson persuasively makes a case for defining craft in a more nuanced fashion. The interesting thing about craft, he argues, is that it is perceived to be 'inferior' to art. The book consists of an overview of various aspects of this second-class identity - supplementarity, sensuality, skill, the pastoral, and the amateur. It also provides historical case studies analysing craft's role in a variety of disciplines, including architecture, design, contemporary art, and the crafts themselves.
