You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"[The dramatist] has used his hero, a fighter based on the first Black heavyweight champion of the world, Jack Johnson ... as a symbol in part of Black aspiration"--Back cover.
Many Pulitzer Prize-winners in the theater award category started their international careers right from Broadway. Among the laureates were dramatists such as Eugene O'Neill who earned four awards. Double prize-winner Tennessee Williams was praised for A Streetcar Named Desire and Cat on a Hot Tin Roof. Thornton Wilder's plays Our Town and The Skin of Our Teeth were successful, as well as Arthur Miller's Death of a Salesman. Edward Albee's Three Tall Women or Alfred Uhry's Driving Miss Daisy represent the younger generation of Pulitzer Prize-winning playwrights. This book takes a look at many of the Pulitzer Prize-winning productions that have been presented over the years on Broadway. (Series: Pulitzer Prize Panorama - Vol. 6)
This volume tells the fascinating history of a century of Broadway Theatre, exemplified by Pulitzer Prize-winning stage productions of plays from leading American playwrights like Eugene O'Neill, Tennessee Williams, Arthur Miller and many others. In addition, facsimile reproductions of theatre programs and posters give an impression of the casts on stage including movie stars like Deborah Kerr, Jessica Tandy, Anthony Perkins, Marlon Brando, Karl Malden or Morgan Freeman.
This book is a biography in the form of an oral history about a woman whose founding of Arena Stage in Washington, DC in 1950 shifted live professional theater away from Broadway and inspired the creation of non-profit theaters around the country. Dianne Wiest, James Earl Jones, Stacy Keach, and Jane Alexander, among many others, share their memories of this intrepid pioneering woman during Arena Stage’s early years. As Head of New York University’s Graduate Acting Program for 25 years, Zelda Fichandler also trained a younger generation of gifted actors. Marcia Gay Harden, Rainn Wilson, Mahershala Ali, and other developing actors who became “artist-citizens” under her guidance, talk about the ways in which she transformed their lives. Theater practitioners who have lived during Zelda Fichandler’s time will find this book a fascinating and entertaining read––as will all theater lovers, especially those in Washington, DC. And through this vivid and compelling oral history, students and aspiring artists will come to grasp how the theatrical past can shed essential light on the theater of today and tomorrow.
Understanding Careers: The Metaphors of Working Lives uses a unique framework of nine archetypal metaphors to encapsulate the field of career studies. Using an easy-to-read style, author Kerr Inkson examines key concepts, illustrating them with over 50 authentic career cases, to build an excellent bridge between theory and “real life.”
Afterword: Speed Listening -- Notes -- Credits -- Acknowledgments -- Index
Challenges the notion that the theater of the 1960s falls neatly into two categories, mainstream or experimental
The book highlights how creative entrepreneurs saved the Hollywood studios in the 1970's by making the calculated blockbuster, consisting of key replicable markers of success, Hollywood's preeminent business model. Scholars of film studies, screenwriting, and popular culture will find this book of particular interest.
“A shocking saga of pharmaceutical malpractice . . . Wonder Drug is both a first-rate medical thriller and the searing account of a forgotten American tragedy.”—Patrick Radden Keefe, author of Empire of Pain A “fascinating and compassionate” (People) account of the most notorious drug of the twentieth century and the never-before-told story of its American survivors. Longlisted for the Andrew Carnegie Medal In 1959, a Cincinnati pharmaceutical firm, the William S. Merrell Company, quietly began distributing samples of an exciting new wonder drug already popular around the world. Touted as a sedative without risks, thalidomide was handed out freely, under the guise of clinical trial...
Stanley Kubrick is generally acknowledged as one of the world’s great directors. Yet few critics or scholars have considered how he emerged from a unique and vibrant cultural milieu: the New York Jewish intelligentsia. Stanley Kubrick reexamines the director’s work in context of his ethnic and cultural origins. Focusing on several of Kubrick’s key themes—including masculinity, ethical responsibility, and the nature of evil—it demonstrates how his films were in conversation with contemporary New York Jewish intellectuals who grappled with the same concerns. At the same time, it explores Kubrick’s fraught relationship with his Jewish identity and his reluctance to be pegged as an e...