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The Girl Who Passed for Normal
In an isolated Roman villa, widowed English dancer Barbara Michaels serves as paid companion and tutor to twenty year-old Catherine, whose rich American mother thinks her 'mad.' In Barbara's eyes it's simply the case that Catherine is not 'all there', and dwells too much in the dysfunctional part of her own head. Barbara's sense of what is and is not 'normal', however, is about to be overturned. First published in 1973, The Girl Who Passed for Normal was Hugh Fleetwood's second novel and the winner of the John Llewellyn Rhys Prize for its year. 'Guaranteed to keep you on the edge of your chair.' New York Times 'Shocking... Horridly memorable.' San Francisco Chronicle
An Artist and a Magician
'Black comedy at its most lurid, refined, and raffish... Wilbur George has made court-jester parasitism into an art form: four creepy but wealthy fellow expatriates (who hate each other) contribute to the upkeep of his Roman villa and matchless dinner parties. And when ancient, horrid Pam decides to stop contributing, she dies - moments after taking tea with Wilbur... the three surviving patrons congratulate him on a good clean kill, praise which vain Wilbur can't quite bring himself to deny...' Kirkus Reviews 'It is Hugh Fleetwood's great ability as a novelist to analyse the world of the rich, to test it with violence and to subtly probe its corruption.' Peter Ackroyd, Spectator 'Artistically successful and enthralling... It shimmers for a long time in the memory's eye.' Glasgow Herald 'Extremely readable and suitably chilling.' Jeremy Lewis, Times
The Order of Death
Lieutenant Fred O'Connor of the NYPD Narcotics Bureau has a secret: an apartment on Central Park West, jointly purchased with ill-gotten gains by Fred and a corrupt fellow officer. The place is a refuge for Fred from a society he finds repellently ill-ordered. But his own equilibrium is disturbed, first by a series of brutal murders of his colleagues, then by the appearance at the apartment's door of wan Leo Smith, who claims to be the cop-killer... 'Fleetwood is a compulsive pattern-maker, and a master of the ambiguous thread which finally pulls all together. It is a rich, gruesome, irresistibly readable book.' Times 'Fleetwood can write like a dream... and really get into your head. He reaches down and stirs with venomous delight the nameless, faceless things swimming far below the level of consciousness.' Scotsman
A Waiting Race
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A Waiting Race
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
A Companion to the British and Irish Short Story
A Companion to the British and Irish Short Story provides a comprehensive treatment of short fiction writing and chronicles its development in Britain and Ireland from 1880 to the present. Provides a comprehensive treatment of the short story in Britain and Ireland as it developed over the period 1880 to the present Includes essays on topics and genres, as well as on individual texts and authors Comprises chapters on women’s writing, Irish fiction, gay and lesbian writing, and short fiction by immigrants to Britain
Cashiers du Cinemart 18
Cashiers du Cinemart #18 marks the 20th anniversary issue of the infamous Detroit film zine. Featuring reviews, interviews, and essays on films from the sublime to the obscure. Regular contributors Skizz Cyzyk, Rich Osmond, Mike Malloy, and Mike Sullivan are back with looks at Corrupt, Eye of the Tiger, Earl Owensby, and casting decisions that almost were. Jim Donahue, Calum Syers, Scott Lefebvre, and Andrew Leavold have returned to give us pieces about Michael Powell, Ulli Lommel, Anthony Matthews, and Eddie Romero. Joshua Gravel provides another batch of movie reviews that go beyond the usual thumbs up/down tripe. This issue also features articles by first-time contributors Jay A. Gertzman, Heather Drain, Greg Goodsell, Marisa Young Mike Dereniewski, Ryan Sarnowski, Jared Case, Joe "Woodyanders" Wawrzyniak, and David Bertrand.
Paradise Discourse, Imperialism, and Globalization
This comparative study, the first of its kind, discusses paradise discourse in a wide range of writing from Mexico, Zanzibar, and Sri Lanka, including novels by authors such as Malcolm Lowry, Leonard Woolf, Juan Rulfo, Wilson Harris, Abdulrazak Gurnah, and Romesh Gunesekera. Tracing dialectical tropes of paradise across the "long modernity" of the capitalist world-system, Deckard reads literature from postcolonial nations in context with colonial discourse in order to demonstrate how paradise begins as a topos motivating European exploration and colonization, shifts into an ideological myth justifying imperial exploitation, and finally becomes a literary motif used by contemporary writers to...
